Biography
Scott Wilde, born in Wisconsin (USA), completed his musical education in New York at the Juilliard School before making his operatic debut as 2nd Soldier/Salome with the Baltimore Opera. Early guest engagements took the bass to New York City Opera, Washington Opera, Opera Theater of St. Louis and San Francisco Opera. In his first season with the San Francisco Opera he sang roles in Boris Godunov, La Forza del Destino, Andrea Chénier and Christophe Colomb. In the following five seasons he was in San Francisco as Monterone/Rigoletto, Lord Rocheford/Anna Bolena, and Dr. Grenvil/La Traviata.Scott Wilde then made his European debut at Dublin Grand Opera as Commendatore/Don Giovanni. In the next season he made his debut in Spain as Sarastro/The Magic Flute at El Teatro Principal de Palma de Mallorca. In the subsequent permanent engagement at the Semperoper Dresden, he expanded his repertoire with many roles such as Eremit/Der Freischütz, Den Holsteiner/Friedenstag, Truffaldino/Ariadne auf Naxos and King/Aida before he started his worldwide career as a freelance artist.
So he returned to the San Francisco Opera as the Speaker/Magic Flute, where he could also be seen as Abimélech/Samson et Dalila and as Hans Foltz/Die Meistersinger von Nürnberg. He also sang the role of Jason in the premiere of Rolf Liebermann's Medea in Bern, followed by a return invitation to the Semperoper Dresden as Tom in Un Ballo in Maschera and to the Opera House in Tours, where he sang King Marke in concert performances of Tristan und Isolde. He quickly established himself as a guest singer at the opera houses in Toulouse, Amsterdam, Geneva, Montpellier and Madrid, where he appeared in the classical bass roles or, most recently, at the Gran Teatre del Liceu in Barcelona in Lady Macbeth of Minsk. This was followed by his extremely successful debut at the Opéra Nationale de Paris under the direction of James Conlon and Peter Mussbach in Dusapin's Perela, l`homme de fumée. Since then he has been a regular and welcome guest in Paris, where he has appeared in many productions such as in the Magic Flute, Strauss' Salomé and Alban Berg's Lulu.
Recent engagements include Sarastro/The Magic Flute and Arkel/Pelléas et Mélisande at Welsh National Opera, Gershom Sholem in the premiere of Tabachnik's La dernière nuit de Walter Benjamin at Opera de Lyon, Bonze/Madama Butterfly Teatro Real Madrid, Hérod in Mariottes Salomé and General Audebert / Silent Night at the Wexford Festival. He also took on the roles of Decius & Dardanus in Battistelli's Julius Caesar (world premiere) at the Teatro dell'Opera Roma, First Craftsman/Wozzeck at the Liceu Barcelona and Father Trulove/ The Rake's Progress at the Opéra de Rennes and Angers Nantes Opéra. Most recently, Scott Wilde performed the role of the Police inspector in Rosenkavalier and the roles of Il Talpa and Simone in Il Trittico at the Salzburg Festival, under the musical direction of Franz Welser-Möst and directed by Christof Loy.
Future engagements include Martinů’s The Greek Passion at the Salzburg Festival, Hans Foltz/Die Meistersinger von Nürnberg at Teatro Real de Madrid, Simone/Il Trittico at the Dutch National Opera, Le Bailli/Werther at Festspielhaus Baden-Baden, as well as his return to the Opéra national de Paris.
Management
Worldwide non-exclusiveArtist Manager
Boris Orlob
Managing Director
boris@orlob.net
Mobil: +49-172-8 51 55 14
Repertoire
Repertoire Opera
Beethoven | Fidelio | Rocco |
Leonore | Rocco | |
Berg | Lulu | Athlet / Tierbändiger |
Wozzeck | 1st Apprentice | |
Britten | Albert Herring | Budd |
A Midsummer Night's Dream | Theseus | |
Billy Budd | Lieutenant Ratcliffe | |
Donizetti | Anna Bolena | Lord Rocheford |
Debussy | Pelleas et Melisande | Arkel |
Liebermann | Freispruch für Medea | Jason |
Mozart | Così fan tutte | Don Alfonso |
Die Zauberflöte | Sarastro | |
Sprecher | ||
Don Giovanni | Il Commendatore | |
Leporello | ||
Offenbach | Les contes d'Hoffmann | Crespel |
Puccini | Il barbiere di Siviglia | Basilio |
La Bohème | Colline | |
La Cenerentola | Alidoro | |
Madama Butterfly | Bonzo | |
Puts, Kevin | Silent Night | Audebert |
Saint-Saëns | Samson et Dalila | Abimélech |
Schuman, W. | A Question of Taste | Phillisto Pratte |
Strauss, R. | Ariadne auf Naxos | Truffaldino |
Der Rosenkavalier | Ein Polizeikommisar | |
Friedenstag | Der Holsteiner | |
Salome | 1st Nazarene | |
2nd Soldier | ||
Herodes | ||
Stravinsky | The Rake's Progress | Trulove |
Tabachnik | Benjamin, dernière nuit | Gershom Sholem |
Verdi | Aida | King |
Falstaff | Pistola | |
Il trovatore | Ferrando | |
La forza del destino | Calatrava | |
La traviata | Grenvil | |
Otello | Lodovico | |
Rigoletto | Monterone | |
Un ballo in maschera | Tom | |
Wagner | Der fliegende Holländer | Daland |
Die Meistersinger v. Nürnberg | Hans Foltz | |
Götterdämmerung | Hagen | |
Parsifal | 2. Gralsritter | |
Tannhäuser | Reinmar | |
Ward | The Crucible | Reverand Hale |
Weber | Der Freischütz | Eremit |
Media
ImagesPortrait
Photo: Private
Download availablePortrait
Photo: Private
Download availablePortrait
Download availableThe Bonze in Madama Butterfly at Teatro Real de Madrid
Photo: Javier del RealSergeant in Lady Macbeth of the Mtsensk District at Teatro Real de Madrid
Photo: Javier del RealTom in Un ballo in maschera at Teatro Real de Madrid
Photo: Javier del RealTommaso in Tiefland at Théâtre du Capitole Toulouse
Photo: Nikolai Schukoff
Press
Tiefland / Théatre du Capitole Toulouse / 08.10.17 / bachtrack.com
"sa voix de basse jupiterienne révèle à merveille le rôle du vieux Tommaso"
Pelléas et Mélisande / Millennium Centre Cardiff / 29.05.15 / bachtrack.com
"ein wundervoller Game of Thrones-Moment"