Biography
Already as a 5-year-old, the Finnish soprano, Marjukka Tepponen, started taking her first piano lessons. She later studied at the Sibelius Academy in Helsinki and in Vienna and rapidly went on to achieve success at singing contests, such as the International Mirjam Helin Contest in Helsinki and the contest in Lappeenranta, where she won first prize.Following her spectacular debut in La traviata at the opera in Jyväskylä in 2009, she was engaged by the Finnish National Opera in Helsinki, where she stays a regular guest performer in important roles. Roles at the FNO included Blanche de la Force/Dialogues des Carmélites, Nedda/Pagliacci, Corinna/Il viaggio a Reims, Fiordiligi/Così fan tutte, Woglinde/Das Rheingold and Götterdämmerung, Elisabetta/Don Carlo, Mimì/La bohème, Violetta/La traviata, as well as the main roles in the world premieres of the Finnish operas “Jää” (J. Kuusisto) and “Indigo” (Toppinen/Kivilaakso).
Furthermore, Tepponen is a regular guest at the renowned Savonlinna Opera Festival, where she performed the roles of Micaela/Carmen, Pamina/Die Zauberflöte, Marguerite/Faust, in Mozart’s Mass in c minor, and most recently as Juliette in Gounod’s Roméo et Juliette and Donna Anna/Don Giovanni.
Highlights of the past seasons include her debut at the MET as Tatyana/Eugene Onegin, her role debuts in the title roles of Madama Butterfly (Oper Frankfurt) and Katia Kabanova (Oper Graz), as Contessa/Le Nozze di Figaro in Turku (Finland), as Donna Anna/Don Giovanni as well as Mimì/La bohème in Rijeka (Croatia), Fiordiligi/Così fan tutte, Tatyana/Eugene Onegin and Contessa/Nozze di Figaro at the Seattle Opera, her Micaela/Carmen and Violetta/La traviata in Tampere, as well as her successful debut as Liù/Turandot at the Bregenz Festival (led by Paolo Carignani and staged by Marco Arturo Marelli) and her return in the role the following year.
On the concert stage she performed Verdi’s Messa da Requiem with the Munich Symphony Orchestra and the Orchestra of the Finnish National Opera, a film music program with the Münchner Rundfunkorchester led by Ulf Schirmer, Rossini’s Stabat Mater, Dvorak’s Stabat Mater (under Christoph König) as well as Uuno Klami’s Psalmus (under the baton of Miguel Ángel Gómez Martínez), all with the RTVE in Madrid, a concert version of Eugene Onegin/Tatyana with the Gulbenkian Orchestra in Lissabon, Sibelius’ Kullervo with the Lahti Symphony Orchestra in Helsinki, Beethoven’s Mass in c minor in Tampere, and recitals with the pianist Marita Viitasalo in Finland. Most recently she could be heard with Strauss’ Vier letzte Lieder with the Gothenburg Symphony Orchestra.
As of season 2024/25, Marjukka Tepponen will be a frequent guest at Dresden’s Semperoper where she has a residence contract. In her first season in Dresden she will be on stage both as Margherita in Boito’s Mefistofele, Mimì/La bohème, Cio-Cio-San/Madama Butterfly and Tatyana/Eugene Onegin.
In addition, she will sing the soprano part in Verdi‘s Requiem at the Dresden Music Festival as well as in Lahti and Tampere. In summer 2025 she will return to the Bregenz Festival with Sibelius’ Kullervo.
Marjukka Tepponen can be heard on several CD recordings, including a recording of Gounod’s Faust/Marguerite at the Rijeka Opera under Ville Matvejeff (Naxos, 2019) and an Aria Album with Mozart, Bel Canto, and French repertoire.
Artist Website
www.marjukkatepponen.comManagement
General ManagementArtist Manager
Ingunn Sighvatsdóttir
Artist Manager
ingunn@orlob.net
Mobil: +49-173-2 067 821
Repertoire
Repertoire Concert
Bach, J.S. | B minor mass |
St. John Passion | |
St. Matthew Passion | |
Berg | Sieben frühe Lieder |
Brahms | Ein deutsches Requiem |
Britten | Les Illuminations |
Dvorak | Stabat Mater |
Haydn | The Creation |
Mozart | Mass in c minor |
Requiem | |
Orff | Carmina Burana |
Rossini | Stabat Mater |
Sibelius | Kullervo |
Strauss, R. | Vier letzte Lieder |
Verdi | Requiem |
Repertoire Opera
Bizet | Carmen | Frasquita |
Micaëla | ||
Boito | Mefistofele | Margherita |
Dvorak | Rusalka | Rusalka* |
Gounod | Faust | Marguerite |
Roméo et Juliette | Juliette | |
Janácek | Katia Kabanova | Katia |
Korngold | Die tote Stadt | Julietta |
Kivilaakso & Toppinen | Indigo | Aurelia |
Kuusisto | Fräulein Julie | Kristin |
Aino Ackté | Aino Ackté | |
Mona | Jää / Ice | |
Madetoja | The Ostrobothnians | Liisa |
Mozart | Die Zauberflöte | Pamina |
Don Giovanni | Donna Anna | |
Donna Elvira* | ||
Zerlina | ||
Le nozze di Figaro | Contessa | |
Susanna | ||
Così fan tutte | Fiordiligi | |
Leoncavallo | Pagliacci | Nedda |
Poulenc | Dialogues des Carmélites | Blanche de la Force |
La voix humaine | Frau | |
Puccini | Gianni Schicchi | Lauretta |
La Bohème | Mimì | |
Musetta | ||
Madama Butterfly | Cio-Cio-San | |
Turandot | Liù | |
Purcell | Dido and Aeneas | Belinda |
Rautavaara | House of the Sun | Noora |
Rossini | Il viaggio a Reims | Corinna |
Tschaikowski | Eugene Onegin | Tatjana |
Verdi | Aida | Oberpriesterin |
Don Carlo | Elisabetta | |
Ernani | Elvira* | |
Falstaff | Alice* | |
Il trovatore | Leonora* | |
La traviata | Violetta | |
Otello | Desdemona* | |
Un ballo in maschera | Amelia* | |
I vespri siciliani | Hélène* | |
von Suppé | Il ritorno del Marinaio | Jela |
Wagner | Das Rheingold | Woglinde |
Götterdämmerung | Woglinde |
*in preparation
News
From Hell to Heaven: Mefistofele at the Semperoper
On 28 September 2024, Marjukka Tepponen will take to the stage of the Dresden Semperoper for the first time - and with a role debut! In the new production of Boito's Mefistofele (staging: Eva-Maria Höckmayr), Tepponen will make her debut as Margherita under the musical direction of Andrea Battistoni. The other main roles are sung by Krzysztof Baczyk (Mefistofele) and Pavol Breslik (Faust).All performance dates: 28.09.; 01./06./10./13./18/24.10.2024
For more information about the production:
www.semperoper.de/ ...
Media
ImagesPortrait
Photo: Ville Paasimaa
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Photo: Ville Paasimaa
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Photo: Ville Paasimaa
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Photo: Ville Paasimaa
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Photo: Ville Paasimaa
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Video
Così fan tutte/Fiordiligi
Seattle Opera
Act I FinaleCosì fan tutte/Fiordiligi
Seattle Opera
Sisters' Act II Duet
Marjukka Tepponen/Total Cello Ensemble - "That's why I feel so sad"
Press
Katia Kabanova / Oper Graz / 15.04.23 /
opera-online.com
"gibt ihr Rollendebüt als eine von Liebe und Zärtlichkeit träumende, sehnsuchtsvolle Titelheldin mit lyrischer Eleganz, intensiver Leidenschaft aber auch großem Leiden, ohne je forcieren zu müssen. Die finnische Sopranistin kann sich auch im Schlussmonolog noch immens steigern."
Katia Kabanova / Oper Graz / 22.03.23 / bachtrack.com
"Ihr Rollendebüt als Katja gelang Marjukka Tepponen exzellent, denn ihre Stimme verfügt nicht nur über lyrische Eleganz, sondern auch über genug Kraft und Volumen für die dramatischen Passagen, sodass sie nie Gefahr lief, forcieren zu müssen."
Madama Butterfly / Oper Graz / 07.11.22 / bachtrack.com
"Ihr silbrig timbrierter Sopran schwang sich dabei selbst in den dramatischten Momenten mühelos über die Orchesterwogen auf, strahlte in einer breiten Palette an Klangfarben und vermittelte von Zuversicht über Wut bis hin zu Enttäuschung und Hoffnungslosigkeit alle Facetten des Charakters. "
Das Rheingold / Finnish National Opera Helsinki / 17.09.19 / onlinemerker.com
"stach [...] als Woglinde mit ihrem vollen und klaren Sopran hervor"
Cosi fan tutte / Seattle Opera / 15.01.18 / seattletimes.com
"a lot of great technique in Marjukka Tepponen's Fiordiligi"
Operngala / Heidelberger Stadthalle / 22.11.17 / Rhein-Neckar-Zeitung
"federleicht servierte Koloraturen blitzsauber intoniert"
Operngala / Apollo Theater Siegen / 20.11.17 / wp.de
"lässt ihre Stimme auch bei virtuosesten Koloraturen scheinbar mühelos in höchste Höhen schweben"
Salmo / Teatro-Auditorio de San Lorenzo de El Escorial / 02.10.17 / beckmesser.com
"buen gusto y un timbre muy cálido"
Salmo / Teatro-Auditorio de San Lorenzo de El Escorial / 29.09.17 / scherzo.es
"con una emisión homogénea y de bonitas cualidades"