Biography

“Conducting the MDR Symphony Orchestra was Karsten Januschke, who already enjoys a very good reputation. The reason why became clear in the “Reiheins” concert. Januschke breathed new life into Dvorak's Symphony 'From the New World'. This is no hyped-up young star ailing about on the podium to push himself into the Best Of list, but rather a great talent working on sophisticated ways of connecting the musical work to musical partners. The enthusiastic final applause was warmly shared by orchestra and conductor together.”
Leipziger Volkszeitung on the concert at Gewandhaus Leipzig

Within the space of a few years, Karsten Januschke has made a name for himself in the eld of concerts and opera as a great talent of the younger generation of conductors. Characterised by a natural authority and and expressive conducting technique, his communication with orchestras, soloists and singers is commanding and collegial. The prerequisite for his rehearsals is an in-depth study of the work in hand, and he takes an approach that combines a clear sound concept with great eciency producing concerts and performances of extraordinary emotion and artistic flexibility.

After a production of Tchaikovsky's Mazeppa at the Tiroler Festspiele in July 2024, which was celebrated by both the press and the public, Karsten Januschke will open the 2024/25 season at the Staatstheater Darmstadt with a new production of Bernd Alois Zimmermann's Requiem for a Young Poet paired with Morton Feldman's Rothko Chapel. Following this, he will make his debut at the Komische Oper Berlin with The Magic Flute in a production by Barrie Kosky, and he will conduct a series of performances of The Flying Dutchman at the National Theatre Prague. Additionally, Karsten Januschke will lead the new production of Aribert Reimann's Melusine at the Frankfurt Opera, honoring the composer who passed away in 2024.

In recent years, Karsten Januschke has made notable debuts at the Semperoper Dresden, the New National Theatre Tokyo, and the National Theatre Prague with Don Giovanni, as well as at the Bavarian State Opera, the National Theatre Prague (with Zemlinsky's A Florentine Tragedy) and the Volksoper Vienna. He has received repeat invitations to the Frankfurt Opera (for new productions of Lost Highway by Olga Neuwirth, Handel's Tamerlano, and Oenbach's The Bandits), the Stuttgart State Opera (for Hansel and Gretel and The Marriage of Figaro), Bregenz (Fidelio), and Oper im Steinbruch. In 2021, Oehms Classics released the album Love and Despair featuring bass Andreas Bauer Kanabas and the Latvian Festival Orchestra under the direction of Karsten Januschke.

In symphonic concerts he conducted the world premiere of a work by Farzia Fallah with the Heidelberg Philharmonic Orchestra, as well as the German premiere of a concerto by Katherine Balch with the State Orchestra Darmstadt featuring cellist Maximilian Hornung. Additionally, Karsten Januschke has appeared as a guest conductor in the symphonic realm with ensembles such as the MDR Symphony Orchestra, the DSO Berlin, the Munich Radio Orchestra, the Staatskapelle Halle, the Beethoven Orchestra Bonn, the RSO Vienna, the Budapest Philharmonic, and Ensemble Modern.

A defining period in Karsten Januschke‘s career was spent at the Oper Frankfurt where he was solo repetiteur from 2008 and subsequently became Kapellmeister. He conducted works from every era here, such as Don Carlos, La Traviata, Eugen Onegin or Bartók’s Bluebeard. Mozart‘s works soon emerged as a particular focus and his spirited and energetic renditions, especially of the Da Ponte operas, have conrmed his position as an expert.

Originally from Schleswig-Holstein, Karsten Januschke studied piano and musicology, and completed his conducting studies with Prof. Georg Mark at the Vienna Conservatoire with honours. During this time, he worked at the Vienna State Opera as a solo repetiteur and conductor of children‘s operas, as well as at the
Theater an der Wien and later at the Bayreuth Festival.

Artist Website

www.karstenjanuschke.com

Management


Artist Manager
 
 
 
 
Boris Orlob
Managing Director
boris@orlob.net 
Mobil: +49-172-8 51 55 14

Repertoire

Repertoire Oper/Operette

Bartok Herzog Blaubarts Burg
Beethoven Fidelio
Bizet Carmen
Britten The Turn of the Screw
Chabrier L'Étoile
Chausson Le Roi Arthus
Donizetti L'Elisir d'amore Don Pasquale
Dvorák Rusalka
Fioravanti La cantatrice villane
Händel Tamerlano
Hermann Der Mieter
Hindemith Sancta Susanna
Humperndinck Hänsel und Gretel
  Königskinder
Kálmán Gräfin Mariza
  Die Zirkusprinzessin
Krenek Der Diktator
Mozart Bastien und Bastienne
  Le Nozze di Figaro
  Don Giovanni
  Così fan Tutte
  Idomeneo
  Clemenza di Tito
  Die Zauberflöte
Neuwirth Lost Highway
Offenbach Les Brigands
Pizzetti Assassinio nella cattedrale
Puccini La Bohème
Purcell Dido and Aeneas
Reimann Die Gespenstersonate
  Melusine
Rossini La Gazza Ladra
Rota Aladdin
Sallinen Kullervo
J. Strauss Die Fledermaus
Stravinsky Mavra
Tchaikovsky Eugen Onegin
  Mazeppa
Telemann Pimpinone
Ullmann  Der zerbrochene Krug
Verdi I Masnadieri
  La Traviata
  Don Carlo
Wagner Der fliegende Holländer
Zemlinsky Eine florentinische Tragödie
Zimmermann Requiem für einen jungen Dichter

News

Meaningful representative of the new generation of conductors
We are delighted to welcome Karsten Januschke, who has proven himself to be one of the most distinguished conductors of his generation, in our general management. Most recently, his conducting of Tchaikovsky's Mazeppa at the Tiroler Festspiele in July 2024 was extremely well received by the press and audience and proved him once again to be an artist with passionate and expressive conducting skills.
At his guest appearances with the MDR-Sinfonieorchester Leipzig, the Bayerische Staatsoper, the DSO Berlin, the Staatsoper Stuttgart,  the Bremer Philharmoniker, the Symphonieorchester Wien and time and again the Oper Frankfurt his conducting has been described as captivating, dramatic and modern.
The 2024/25 season again holds a wide variety of tasks in store for Karsten Januschke. He opens with a new production of Bernd Alois Zimmermann's Requiem für einen jungen Dichter together with Morton Feldman's Rothko Chapel at the Staatstheater Darmstadt.
After his debut at the Komische Oper Berlin with die Zauberflöte in Barry Kosky's production, performances of The Flying Dutchman will follow at the Prager Staatsoper.
Frankfurt audiences can also look forward to the return of the conductor, who will conduct the new production of Aribert Reimann's Melusine at Oper Frankfurt. 

Press

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