Biography
Johan Reuter studied at the Royal Academy of Music and the Academy of the Royal Theatre in his hometown of Copenhagen and attended master classes with Ernst Haefliger, Anthony Rolfe-Johnson and Richard Trimborn. Since 1996, he has been a soloist at the Royal Theatre in Copenhagen, where he sings a wide repertoire.Highlights of recent seasons include Dead Man Walking, Un ballo in maschera, Cavalleria rusticana/I pagliacci, Scarpia/Tosca in Copenhagen, Barak/Die Frau ohne Schatten in London, New York, Berlin, Zurich, Amsterdam and at the San Francisco Opera to celebrate its centenary, which marked his first appearance on the American West Coast. He also sang the title role in Nabucco and Hans Sachs in a new production of Die Meistersinger von Nürnberg at the Deutsche Oper Berlin, Braunfels' Jeanne d'Arc at the Salzburg Festival, Vec Makropulos at the Met and the Salzburg Festival, Wotan/Das Rheingold in Munich and Budapest, the role of Theseus in the world premiere of Harrison Birthwistles' The Minotaur at the Royal Opera House, Covent Garden, where he also appeared in Elektra, Salome, The Tsar's Bride and Wozzeck – an opera in which he collaborated with director William Kentridge at the Opéra National de Paris.
In addition, Der fliegende Holländer in Madrid, Berlin, Copenhagen and at the International May Festival, also, Le nozze di Figaro at the Theater an der Wien and the Deutsche Oper Berlin, Macbeth in Lisbon, From the House of the Dead in Paris, Madrid and the Ruhrtriennale, Così fan tutte in Hamburg, Orest/Elektra at the Royal Theatre Copenhagen, Friedrich von Telramund/Lohengrin at the Bayerische Staatsoper in Munich and Oedipe at the Bregenz Festival.
His most recent concert appearances include Haydn's The Creation and The Seasons, Mahler's Symphony No. 8, Rückert-Lieder and Das klagende Lied, Beethoven's Symphony No. 9, Ein deutsches Requiem, Mozart's Requiem, Berlioz's Romeo et Juliette, Peer Gynt and Michelangelo's Sonnets by Shostakovich.
In addition, he has given concert performances as Jochanaan/Salome at the Edinburgh International Festival, Kurwenal in concert performances of Tristan und Isolde in Auckland, the Jedermann monologues in Lausanne, Geneva and at the Finnish National Opera, together with Brahms' Vier ernste Gesänge, which he also performed with the Sonderjyllands Symfoniorkester.
He has given recitals in Copenhagen, Hanover, Frankfurt, Bergen and Madrid.
In the 2025/26 season, Johan Reuter will take on the role of Baron Scarpia/Tosca at the Royal Danish Opera, Jaroslav Prus in Janáček's The Makropulos Case at the Royal Opera House Covent Garden and Jostein in the world premiere of Fagerlund's Morgonstjärnan at the Finnish National Opera under the baton of Hannu Lintu, before appearing at the Hamburger Staatsoper as Simone/Florentine Tragedy and Bluebeard/Duke Bluebeard's Castle.
Johan Reuter has recorded Tristan und Isolde under Janowski, Kunzen's Holger Danske, Nielsen's Maskarade under Ulf Schirmer (Gramophone Award), Schubert's Winterreise in Danish, as well as solo albums with arias by the young Giuseppe Verdi and songs by Richard Strauss, Carl Nielsen and Hakon Børresen.
Artist Website
www.johanreuter.comManagement
General ManagementArtist Manager
Boris Orlob
Managing Director
boris@orlob.net
Mobil: +49-172-8 51 55 14
Repertoire
Repertoire Opera
|
Repertoire Concert
| Bach | Mass in b minor |
| St. John Passion | |
| St. Matthew Passion | |
| The Christmas Oratorio | |
| Beethoven | Mass in c major |
| 9. Symphony | |
| Brahms | A German Requiem |
| Four serious songs | |
| Duruflé | Requiem |
| Fauré | Requiem |
| Handel | Messiah (in german) |
| Saul | |
| Haydn | Creation Mass |
| Mahler | 8. Symphony (both deep voices) |
| Kindertotenlieder | |
| Rückert-Lieder | |
| Songs of "Des Knabens Wunderhorn" | |
| Mendelssohn | Elias (english and german version) |
| Mozart | Krönungsmesse |
| Mass in C major | |
| Schönberg | Gurre-Lieder |
| Schubert | Mass in E flat major |
| Mass in A flat major | |
| Shostakovich | Michelangelo songs (in german) |
News
Budapest or Bayreuth
Off to Budapest, because as the New York Times reported back in 2013: "No Tickets for Bayreuth? Budapest has a Wagner Festival, Too." And Wagner fans shouldn't miss it, especially this year! From the 20th June 2024, visitors can look forward to a complete performance Ring des Nibelungen, with Danish bass-baritone Johan Reuter portraying Wotan/Wanderer in the first three parts. He will be joined by Irene Theorin /Brünnhilde, Magnus Vigilius /Siegmund and Stefan Vinke/Siegfried. Under the musical direction of Ádám Fischer, highly esteemed for his interpretation of Wagner's works, and directed by Hartmut Schörghofer, the audience is sure to fall under the spell of the Nibelungen-Ring.
Further performance dates and information can be found here:
www.mupa.hu
Further performance dates and information can be found here:
Media
Images
PortraitPhoto: Dario Acosta
Download available
PortraitPhoto: Dario Acosta
Download available
PortraitPhoto: Dario Acosta
Download availableVideos
Der Fliegende Holländer / HolländerFinnish National Opera
100 seconds with Johan Reuter 2022Deutsche Oper Berlin
Symphony No. 9 Beethoven DR Koncerthuset
Die Winterreise, D.911DR Koncerthuset
Press
Lohengrin / Bayerische Staatsoper München / 09.12.22 / bachtrack.com
"dem unsicheren Gatten Telramund gegenüber, den Johan Reuter auch sängerisch überragend charakterisierte"
Der fliegende Holländer / Canadian Opera Company / 18.10.22 / intermissionmagazine.ca
"In contrast, Reuter's Dutchman is appropriately rugged, and his performance of the bass-baritone character booms above the uniform and industrial feel of the chorus"
Der fliegende Holländer / Canadian Opera Company / 09.10.22 / theglobeandmail.com
"an intelligent blend of colour and texture infused with real feeling"
Die Meistersinger von Nürnberg / Deutsche Oper Berlin / 13.06.22 / kultur24-berlin.de
"sticht in allen Dimensionen der künstlerischen Darbietung hervor und war für mich der Höhepunkt dieser erstaunlichen Besetzung von Musikern"
Salome / Theater an der Wien / 19.01.20 /
bachtrack.com
"Seinen Bariton setzte er gekonnt an der Grenze zwischen polterndem Fanatiker und schönstimmigem Gottesmann ein, wobei er die Stimme üppig strömen ließ"
Die Walküre / Müpa Budapest / 15.06.19 /
bachtrack.com
"Reuter, for his part, bent his voice this way and that: suave urbanity, fatherly gravitas, imperious command."
Oedipe / Dutch National Opera / 08.12.18 /
bachtrack.com
"den glänzend singenden und spielenden Johan Reuter"

