Biography
Elisabeth Freyhoff was born in the Georgian capital Tbilisi, but moved to Kehl am Rhein at the age of 5, where she enjoyed a German-French school education. While still at school, she was a junior student at the Freiburg Academy for the Promotion of Gifted Students in the singing class of Prof. Angela Nick and afterwards continued her Bachelor's and Master's studies at the HMT Munich and the Theaterakademie August Everding in the classes of KS Prof. Christiane Iven, KS Prof. Julie Kaufmann, Prof. Sabine Lahm and Prof. Lars Woldt.At the age of just 18, she made her debut with arias by Mozart, Künneke, J. Strauss and Weber at the Bremen Glocke with the Deutsche Kammerphilharmon Bremen. In the same year she sang Adele in a concert performance of J. Strauss' “Die Fledermaus” with the Bremen Philharmonic Orchestra.
Elisabeth Freyhoff made her debut as Serpetta in 2023 at the Theater an der Wien in a production of Mozart's “La finta giardiniera”. Before that she appeared in several productions of the Kammeroper München (including: Susanna in “Le nozze di Figaro” & Caroline in “Il matrimonio segreto”) and the Theaterakademie August Everding (including: Gwen in “4.48 Psychosis”; 2nd Girl in “Achill unter den Mädchen” at the Prinzregententheater with the Munich Radio Orchestra).
However, the soprano not only has a great affinity for opera, but also for the genres lied and concert. She has already sung at festivals such as the “International Kalamata Music Days”, the “Munich Biennale”, “MelosLogos” in Weimar and most recently at the newly founded “Ohefest” in Niederalteich, where she performed H. Wolf's “Italienisches Liederbuch” together with Gerold Huber and Jonas Müller.
Since the 2024/25 season, Elisabeth Freyhoff has been a member of the opera studio at Deutsche Oper am Rhein. In her first season, she can be seen in five new productions as Anna (“Nabucco”), the Girl (“Kreidekreis”), First Witch (“Dido & Aeneas”), Second Nymph (“Rusalka”) and in the world premiere of the children's opera “Pinocchio”. She will also play the Taumännchen in the historical production of “Hansel & Gretel” by A. Meyer-Hanno.
Elisabeth Freyhoff speaks 5 languages fluently, received many years of ballet training and was awarded scholarships from the Studienstiftung des deutschen Volkes and the Deutscher Bühnenverein - Landesverband Bayern.
Artist Website
www.elisabethfreyhoff.deManagement
General ManagementArtist Manager

Boris Orlob
Managing Director
boris@orlob.net
Mobil: +49-172-8 51 55 14

Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20
Repertoire
Repertoire Concert
G. Carissimi | Filia in "Historia di Jephte" |
G.F. Händel | Nine German Arias |
No. 1 "Künft'ger Zeiten eitler Kummer" | |
No. 4 "Süße Stille, sanfte Quelle" | |
No. 6 "Meine Seele hört im Sehen" | |
No. 9 "Flammende Rose, Zierde der Erden" | |
J.S. Bach | Soprano-Solo Cantata "Jauchzet Gott in allen Landen" |
Wedding Cantata "Weichet nur, betrübte Schatten" | |
St. Matthew Passion | |
St. John Passion | |
Christmas Oratorio | |
J. Haydn | The Creation |
Missa brevis Sancti Joannis de Deo in B-Dur | |
Solo Cantata "Arianna a Naxos" | |
W.A. Mozart | Exsultate, jubilate |
Sparrow Mass in C-Dur | |
Missa brevis in B-Dur | |
Coronation Mass in C-Dur | |
Missa solemnis in C-Dur | |
Vesperae solennes de Confessore | |
"Laudate Dominum" | |
Soprano II in der Großen Messe in c-Moll | |
Requiem | |
Mendelssohn Bartholdy | Soprano I in the Hymn of Praise |
R. Schumann | Gretchen in Scenes of Goethes Faust |
J.S. Bach Ch. Gounod |
"Ave Maria" ("Méditation sur le premier Prélude de Bach") |
G. Mahler | Soprano-Solo in the IV. Symphony |
Repertoire Opera
H. Purcell | Dido and Aeneas | First Witch |
C.W.Gluck | Orfeo ed Euridice | Amore |
D. Cimarosa | Il matrimonio segreto (dt. Fassung) |
Carolina |
W.A. Mozart | La finta giardiniera (Strichfassung) |
Serpetta |
Le nozze di Figaro (dt. Strichfassung) |
Susanna | |
Don Giovanni (Strichfassung) |
Zerlina | |
Die Zauberflöte | Pamina | |
A. Lortzing | Der Wildschütz | Baroness Freimann |
G. Verdi | Nabucco | Anna |
A. Dvořák | Rusalka | 2nd Nymph |
E. Humperdinck | Hansel and Gretel | Taumännchen |
A. von Zemlinsky | The Chalk Circle | The Girl |
W.-A. Schultz | Achilles Among the Girls | 2nd Girl |
Arrangement: Alexander Krampe |
The Canterville Ghost | Stars Otis & Queen Elizabeth I |
P. Venables | 4.48 Psychose (dt. Fassung) |
Gwen |
P. Korobkova | Spuren | Role without a name |
M. Schötz & M. Meinhold | Pinocchio | Fox & Owner of Toyland |
Media
Images
Photo: Adrienne Meister
Download available

Photo: Jakob Schad
Download available

Photo: Jakob Schad
Download available

Photo: Jakob Schad
Download available
Press
The Chalk Circle / Deutsche Oper am Rhein / 17.01.2025 / giornaledellamusica.it
"ma anche la ragazza dell'harem di Tong di Elisabeth Freyhoff nel brevissimo cameo iniziale."
The Chalk Circle / Deutsche Oper am Rhein / 01.12.2024 / o-ton.online
"Elisabeth Freyhoff verleiht der Darstellung eines Mädchens mit ihrem lebendigen Sopran zu Beginn des ersten Aktes stimmliches Gewicht und vollendete Schönheit."
La finta giardiniera / Theater an der Wien / 25.12-2023 / opernmagazin.de
"Eine echte Entdeckung des Abends war die besonders kecke Serpetta, gesungen von der Sopranistin Elisabeth Freyhoff."
Le nozze di Figaro / Kammeroper München / 26.08.2022 / sueddeutsche.de
"Elisabeth Freyhoff (Susanna): hymnisches Timbre."