Biography

Doris Soffel studied singing with Marianne Schech at the Munich University of Music. She made her debut at the Bayreuth Youth Festival as Isabella in Wagner's Liebesverbot. Wolfgang Windgassen then brought her to the Stuttgart Opera, where she was able to build up a broad repertoire, including roles such as Carmen, Cenerentola, Dorabella/Così fan tutte and Octavian/Der Rosenkavalier.

Her success in 1983 at the Royal Opera House Covent Garden as Sesto in Mozart's La clemenza di Tito marked the beginning of her international career. Since then, she has been at home in all the world's major opera houses and concert halls. Doris Soffel became the only German mezzo-soprano with an international career in bel canto coloratura. From the Italian and French mezzo roles of Donizetti, Bellini, Verdi, Berlioz and Massenet, she developed into a great Wagner and Strauss specialist. She enjoyed her greatest successes in Wagner roles as Fricka/Das Rheingold and Die Walküre not only in Amsterdam, Cologne and Dresden, but also with Solti in Bayreuth, at the Teatro alla Scala with Barenboim and at the Deutsche Oper Berlin with Rattle. Her Kundry/Parsifal with Thielemann and her Ortrud/Lohengrin with Luisi set new standards.

Further highlights of her opera and concert career included collaborations with legendary conductors such as Celibidache, Karajan, Giulini, Sawallisch, Sinopoli, Maazel, Mehta and Masur.

She performed worldwide in concerts and recitals (especially with Mahler). Her versatility is documented by a significant number of TV and radio recordings, CDs and DVDs.

She has enjoyed triumphs in Strauss roles such as the Nurse/Frau ohne Schatten in Los Angeles, Amsterdam, Berlin, Dresden, Herodias/Salome in Munich, Paris, Madrid, Zurich, Washington, and Klytämnestra/Elektra at the Salzburg Festival, Munich, Stuttgart, Brussels and Berlin.

She was influenced by directors such as Rennert, Ponnelle, Friedrich and Kupfer and now works with Konwitschny, Loy, Carsen, Herheim, Wilson and Tcherniakov, among others.

Outstanding engagements in recent seasons have included Klytämnestra in Elektra at the Semperoper Dresden, the Vienna State Opera and the Deutsche Oper Berlin, where she also appeared as Herodias in Salome, Madame Louise in Ocean, Adelaide in Arabella, Agnese (La Stregha) in La fiamma and the Countess in Pique Dame.  She also performed this role with the Berlin Philharmonic, in Baden-Baden and at the Palau de les Arts in Valencia, followed by Mme de Croissy in Dialogues des Carmélites.

Further engagements took her to the Bavarian State Opera as the Respectable Lady in Die Nase and to the National Opera in Amsterdam as the Witch in Die Königskinder.
In the 2025/26 season, Doris Soffel will take on the role of Madelon in Andrea Chenier at the Deutsche Oper Berlin, as well as the Countess in Pique Dame  and Herodias in Salome at the Hamburg State Opera. 

Doris Soffel is a Kammersängerin and a recipient of the Royal Swedish Order of the North Star.

Artist Website

www.dorissoffel.com

Management

Europe

Artist Manager
 
 
 
 
Boris Orlob
Managing Director
boris@orlob.net 
Mobil: +49-172-8 51 55 14

Repertoire

Repertoire Concert

Bach, J.S. Christmas Oratorio
  St. Matthew Passion
Beethoven Missa solemnis
  Symphony no. 9
Berg Sieben frühe Lieder
Berlioz La mort de Cleopatre  
  Les nuits d'été
  Romeo et Juliette
Brahms Alt-Rhapsodie
  Vier ernste Gesänge
Dvorak Stabat Mater
Hindemith Requiem
Mahler Das Lied von der Erde
  Des Knaben Wunderhorn
  Kindertotenlieder
  Lieder eines fahrenden Gesellen
  Rückert-Lieder
  Symphony no. 2
  Symphony no. 3
  Symphony no. 8 / Alto 1
Martin Die Weise von Liebe und Tod des Cornets
  In terra pax
Mendelssohn Elias
  Paulus
Mozart Requiem
Pfitzner Von deutscher Seele Op. 28
Ravel Shéhérezade
Rossini Petite Messe solennelle
  Stabat Mater
Schnittke Faust-Kantate / Mefistofela
Schulhoff Menschheit Landschaften
Schönberg Gurrelieder / Waldtaube
Sibelius Orchesterlieder
Strauss, R. Orchesterlieder
Strawinsky Oedipus Rex
Szymanowski Stabat Mater
Verdi Requiem
Wagner Wesendonck-Lieder
Zemlinsky Sechs Gesänge nach Texten von Maurice Maeterlinck
 

Repertoire Opera

Bartók Bluebeard's Castle Judit
Bellini Norma Adalgisa
Berg Lulu Countess Geschwitz
Berlioz Les Troyens Didon
Bernstein Candide Old Lady
Bizet Carmen Carmen
Cilea Adriana Lecouvreur  Principessa
Debussy Pelléas et Mélisande Geneviève
Donizetti La favorita Leonora
  Maria Stuarda Elisabetta
Dvorak Rusalka Jezibaba
Giordano Andrea Chénier La comtesse di Coigny
Gluck Orfeo et Euridice Orfeo
Hindemith Cardillac Die Dame
Janácek Katja Kabanova Kabanicha
Mascagni Cavalleria rusticana Santuzza
Massenet Herodiade Herodiade
  Werther Charlotte
Mozart La clemenza di Tito Sesto
Mussorgsky Boris Godunov Marina
  Chowanschtschina Marfa
Offenbach Les contes d'Hoffmann La voix de la mère
Penderecki Ubu Rex Maire Ubu
Ponchielli La Gioconda Laura Adorno
Poulenc Dialogues des Carmélites Madame de Croissy
Reimann Troades Kassandra
Saint-Saëns Samson et Dalila Dalila
Schoeck Penthesilea Penthesilea
Spohr Jessonda Amazili
Strauss, J. Die Fledermaus Prinz Orlofsky
Strauss, R. Arabella Adelaide
  Ariadne auf Naxos Composer
  Capriccio Clairon
  Der Rosenkavalier Octavian
  Die Frau ohne Schatten Nurse
  Elektra Klytämnestra
  Salome Herodias
Stravinsky Oedipus Rex Jokaste
Tchaikovsky The Maid of Orleans Joan of Arc
  The Queen of Spades Countess
Verdi Aida Amneris
  Don Carlo Eboli
  Il trovatore Azucena
Wagner Das Rheingold Fricka
  Die Walküre Fricka
  Götterdämmerung Waltraute
  Lohengrin Ortrud
  Parsifal Kundry
  Rienzi Adriano
  Tannhäuser Venus
  Tristan und Isolde Brangäne

News

Doris Soffel says thanks with a song
Doris Soffel received a great honour on 19 May 25 in Berlin. Dietmar Schwarz, intendant, and Christoph Seuferle, opera director, presented her with an honorary membership of the Deutsche Oper Berlin at a concert to mark the 25/26 season performance. Doris Soffel has been a regular guest in major roles at the opera house for around 40 years and will continue to perform there in the future. She thanked her audience with Richard Strauss' "Zueignung" accompanied by the DOB orchestra under the direction of GMD Donald Runnicles.

Two great Strauss roles at Deutsche Oper Berlin
This spring, Doris Soffel will be presenting two of her signature roles by Richard Strauss to the audience of the Deutsche Oper Berlin.
From 7 March 2025, she will sing Adelaide in Arabella alongside Thomas Johannes Mayer (Mandryka) and Jennifer Davis (Arabella) in Tobias Kratzer's production under the baton of Donald Runnicles.
From 22 March 2025, she will be Klytämnestra in Kirsten Harms' production of Elektra alongside Elena Pankratova (Elektra) and Camilla Nylund (Chrysothemis), among others, under the musical direction of Thomas Søndergård.

Further information and performance dates:
www.deutscheoperberlin.de/ ... (Arabella)
www.deutscheoperberlin.de/ ... (Elektra)
A career in the labyrinth - major TV portrait
Don't miss it!
The Munich film director Mark von Seydlitz has produced a film about Doris Soffel on behalf of ARD and SWR.
The film shows Doris Soffel as an exceptional singer, born in Hechingen in 1948, she has been on stage for 50 years. The film portrays the mezzo-soprano and allows prominent colleagues to have their say.

Film link:
www.ardmediathek.de/... 
 

Unique!
This week we celebrate an artist with whom we have been working for 25 years: Doris Soffel is not only celebrating a special birthday (which, however, we do not name, as befits such a great artist), but can now also look back on a career of more than 50 years, which has taken her to all the great houses and festivals, with an evolution from coloratura mezzo to the dramatic parts of her craft. Simply unique, simply La Soffel!
And the best... she goes on and on! We look forward to her return to the Palau de les Arts in Valencia, the Semperoper Dresden, the Bayerische Staatsoper Munich, the Deutsche Oper Berlin and the Theatre de la Monnaie, to name but a few theatres.
Representative of many great moments in Doris' career, here are two links to recordings with Joan Sutherland (Norma, 1985) and Thomas Johannes Mayer (Walküre, DNO, 2013).
Norma, 1985 
Die Walküre, 2013 

The Austrian radio is also dedicating a portrait to Doris Soffel this week. You can find it online via the livestream of Ö1:
Livestream Ö1 

Press


 

Dialogues de Carmelites / Les Arts Valencia / 29.01.2025 / proopera.org


"[...]Doris Soffel lieferte eine bewegende Vorstellung als Madame de Croissy[...]"

Dialogues de Carmelites / Les Arts Valencia / 26.01.2025 / valencianews.es


"Beim Gesang stach vor allem die deutsche Altistin Doris Soffel hervor."

Interview mit Doris Soffel / Meine Musik. Klassik garantiert subjektiv / 19.03.2024 / rbbkultur

"rbb-online.de/rbbkultur

Pique Dame / Osterfestspielen Baden-Baden / 11.04.22 / swr.de

"Doris Soffel in Pique Dame: Ein Höhepunkt in 50 Jahren Karriere" 

Pique Dame / Baden-Baden Berliner Philharmonker / 10.04.22 / die-deutsche-buehne.de

"Und Doris Soffel gibt die alte Gräfin [...] mit finsterer Dämonie." 

Elektra / Palau de les Arts Valencia / 23.01.20 / codalario.com


"Sin exageraciones, con un dominio absoluto del sprechgesang" 

Elektra / Palau de les Arts Valencia / 22.01.20 / operawire.com


"Doris Soffel gave a luxurious interpretation of Klytämnestra" 

Oceane / Deutsche Oper Berlin / 30.04.19 / bachtrack.com


"invincible as a singer and actress" 

Liederabend / Philharmonie Essen / 07.05.18 / waz.de


"raumgreifend, frei schwingend, ohne jede Grelle" 

Dialogues des Carmélites / Staatsoper Hamburg / 08.05.17 / opera-online.com


"l'extraordinaire première Prieure (Madame de Croissy) de Doris Soffel" 

Elektra / Staatstheater Stuttgart / 26.02.17 / fabiuskulturschockblog.wordpress.com


"Klytämnestra ist nicht nur Doris Soffels Signature Role, es ist schlicht ein Erlebnis!" 

Elektra / Bayerische Staatsoper / 17.02.17 / operalounge.de


"Elektra, starke Frauen" 

Elektra / Oper Stuttgart / 15.02.17 / oper-aktuell.info


"Das kann man kaum besser singen!" 

Doris Soffel im Gespräch / 14.02.17 /
stuttgarter-nachrichten.de
 

 "Man braucht Mut zur Hässlichkeit" 

Elektra / Aalto-Musiktheater Essen / 16.05.16 / operalounge.de


 "Ein Ereignis!" 

Elektra / Deutsche Oper Berlin / 03.04.16 / bachtrack.com
 

"eine wunderbare Darbietung" 

Dialogues des Carmélites  / De Nationale Opera Amsterdam / 07.11.15 / operalounge.de


 "Unvergesslich, unvergleichlich, einfach wahnsinnig" 

Salome / BBC Proms / 01.09. 14 / operabritanniauk.wordpress.com


 "such astonishing power, richness, precision" 

Die Frau ohne Schatten / Oper Leipzig / 12.06.14 / bachtrack.com


 "eine anziehende Vorstellung" 

Das Rheingold / Deutsche Oper Berlin / 22.09.13 / konzertkritikopernkritikberlin.wordpress.com


 "Kraft, Klang, Erfahrung, Ausdruck in einer Stimme vereint" 

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