Biography
Bettina Ranch initially studied violin in her hometown Berlin and subsequently changed to singing. The opera singer Caroline Merz is currently taking care of Bettina Ranch. Over the last years, she has given successful guest performances at renowned opera houses such as the Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper Hamburg, Aalto-Theater Essen, Grand Théâtre de la Ville de Luxembourg, and the Nederlandse Opera Amsterdam, where she repeatedly draws attention to herself with her interpretations ranging from the Baroque to the Wagner repertoire.In the concert field, she regularly proves her versatility with different repertoire, such as e.g. the Masses by Mozart, the Passions and Mass in B minor by Johann Sebastian Bach, the Messiah, Beethoven's Missa solemnis, Verdi's Requiem, Dvořák's Stabat Mater, frequently with works by Gustav Mahler such as Das klagende Lied and Symphony No. 2, Bruckner's Te Deum, Franz Schmidt's Book with Seven Seals and Nono's Il Canto sospeso, in which she made her debut at the Salzburger Festspiele.
She has repeatedly worked with renowned ensembles and orchestras such as Philharmonisches Orchester Hamburg, the International Bach Academy in Stuttgart, Kammerakademie Potsdam, Dresdner Philharmoniker, SWR Sinfonieorchester, Bremer Philharmoniker, Leipzig Gewandhausorchester, the RTVE Orchestra Madrid, Orchestra Sinfonica di Milano Giuseppe Verdi, DSO Berlin, RIAS Chamber Choir, and the Mozarteumorchester Salzburg and under prominent conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Helmuth Rilling, Rinaldo Alessandrini, Paul Goodwin, Peter Rundel, and Ivor Bolton.
Since the 2016/17 season Bettina Ranch has been a member of the ensemble at the Aalto-Theater in Essen, where she has sung the title roles of Carmen and Orfeo/Euridice, as well as roles such as Fricka/Die Walküre, Adalgisa/Norma, Maddalena/Rigoletto, Fenena/Nabucco, Sesto/La clemenza di Tito, Dorabella/Così fan tutte, Annina/Rosenkavalier, Cain in Scarlatti's Cain and Abel and many others.
At the start of the 22/23 season, Bettina Ranch can be heard twice in Giuseppe Verdi's Requiem: first as part of the Anima Mundi Festival 2022 in the Cathedral of Pisa with the Staatskapelle Halle under the direction of Hartmut Haenchen, and in the final concert at the IMAD-Festival in the Paderborn Cathedral. In addition, her concert season 22/23 includes many concert debuts with works such as Wagner's Wesendonck-Lieder (the Essener Philharmoniker conducted by Erik Nielsen) and Schumann's "Das Paradies und die Peri" (Robert-Schumann-Philharmonie Chemnitz and MDR Radio Choir conducted by Guillermo García Calvo) and the German premiere of two works by Pergolesi. Furthermore she will make her debut at Hamburg's Elbphilharmonie with Bach's Christmas Oratorio under Hans-Jörg Albrecht, and she will return to the Milan Auditorium where she will once again perform the Mozart Requiem with the Orchestra Sinfonica di Milano, conducted by Claus Peter Flor. She will also be performing together with the Essener Philharmoniker under the baton of Tomáš Netopil in Mendelssohn-Bartholdy's "Lobgesang" and Mahler's 3rd symphony, and her Easter program features the St. John Passion conducted by Attilio Cremonesi with the Beethoven Orchester Bonn.
At her parent house in Essen she takes on the title role in Carmen, Ramiro/La finta Giardiniera, Adelaide/Arabella and Adalgisa/Norma, among others, and appears as Marcellina in the new production Le nozze di Figaro, directed by Floris Visser and conducted by Tomáš Netopil.
Numerous recordings document her career, such as Franz Schmidt's Book with seven seals, which was published by Oehms Classics with the Hamburger Philharmoniker/NDR Chor under the musical direction of Simone Young, and Joseph Haydn's Il Ritorno di Tobia by Sony Classics with the Salzburg Mozarteumorchester / Salzburg Bach Choir conducted by Ivor Bolton.
Artist Website
www.bettinaranch.comManagement
General ManagementArtist Manager

Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20
Repertoire
Repertoire Concert
Bach, C.P.E. | Magnificat |
Bach, J.C. | Magnificat |
Bach, J.S. | B minor mass |
Cantatas (various) | |
Christmas Oratorio | |
Magnificat | |
St. John Passion | |
St. Matthew Passion | |
Beethoven | Mass in C major Op. 86 |
Missa solemnis | |
Symphony no. 9 | |
Bernstein | Chichester-Psalms |
Brahms | Alt-Rhapsodie |
Liebeslieder-Walzer | |
Neue Liebeslieder-Walzer | |
Bruckner | Mass in D minor |
Te Deum | |
Duruflé | Requiem |
Dvořák | Requiem |
Stabat Mater | |
Haydn | Arianna a Naxos |
Die Sieben Worte | |
Il ritorno di Tobia / Anna | |
Harmoniemesse | |
Nelsonmesse | |
Paukenmesse | |
Schöpfungsmesse | |
Stabat Mater | |
Händel | Dettinger Te Deum |
Israel in Egypt | |
Jephtha / Storgè | |
Messiah | |
Solomon | |
St. John Passion | |
Homilius | Christmas Oratorio |
St. John Passion | |
Lang | Fichten |
Liszt | Die Legende der heiligen Elisabeth / Sophie |
Mahler | Das klagende Lied |
Martin | 6 Monologe aus Jedermann |
Mendelssohn | 3 geistliche Lieder Op.96 |
Elias | |
Lobgesang | |
Paulus | |
Sommernachtstraum | |
Mozart | Betulia Liberata / Giuditta |
C minor mass | |
Coronation Mass | |
Davide penitente | |
Messias | |
Missa Solemnis | |
Requiem | |
Thamos | |
Vesperae Solennes | |
Nicolai | Mass in D major |
Penderecki | Credo |
Pergolesi | Stabat Mater |
Rossini | Petite Messe Solennelle |
Schreier | Er ist nicht |
Schmidt | Das Buch mit sieben Siegeln |
Schumann | Das Paradies und die Peri |
Faust-Szenen | |
Spanische Liebeslieder | |
Spanisches Liederspiel | |
Schubert | Magnificat |
Mass in A flat major | |
Mass in B flat major | |
Mass in E flat major | |
Ständchen | |
Suppè | Requiem |
Verdi | Requiem |
Vivaldi | Dixit Dominus |
Magnificat | |
Stabat Mater | |
Telemann | Deutsches Magnificat |
St. Matthew Passion | |
Zelenka | Lamentatio II |
Repertoire Opera
Bellini | La straniera | Isoletta |
Norma | Adalgisa | |
Dusapin | Medea | Medeastimme 4 |
Graupner | Berenice und Lucilla | Lucilla |
Händel | Alcina | Bradamante |
Ariodante | Ariodante | |
Giulio Caesare | Cornelia | |
Giulio Cesare | ||
Lotario | Matilde | |
Semele | Ino | |
Juno | ||
Xerxes | Amastris | |
Monteverdi | Il ritorno d’Ulisse in patria | Penelope |
L´Orfeo | Messagiera | |
La Speranza | ||
Proserpina | ||
Mozart | Die Zauberflöte | 3.Dame |
La Betulia liberata | Giuditta | |
La clemenza di Tito | Sesto | |
Offenbach | Les contes d'Hoffmann | La voix de la tombe |
Prokofiev | L'amour des trois oranges | Clarice |
Scarlatti | Il primo omicidio | Cain |
Strauss, R. | Elektra | 1. Magd |
Valtinoni | Die Schneekönigin | Blumenfrau / Frau aus Lappland |
Verdi | Nabucco | Fenena |
Rigoletto | Maddalena | |
Wagner | Das Rheingold | Erda |
Flosshilde | ||
Die Walküre | Schwertleite | |
Götterdämmerung | Flosshilde |
Discography
Haydn "Harmoniemesse"Erschienen Oktober 2016 bei Rondeau
Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert
Ina Siedlaczek / Tobias Hunger / Tobias Berndt
Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics
Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young
Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev
Muzyczne Dziedzictwo Miasta Gdańska Vol. VI
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie
Erschienen Dezember 2015 bei SARTON
Goldberg Baroque Ensemble
Andrzej Mikołaj Szadejko-dyrygent
Adam Pastuszka-koncertmistrz
Ingrida Gápová-sopran
Klaudia Trzasko-sopran
Bettina Ranch-alt
Georg Poplutz-tenor
Stefan Geyer-bas
Johann Georg Hoffmann (1700-1780)
Kantata na niedzielę Cantate Nun lob meine Seel den Herren
Friedrich Christian Mohrheim (1719-1780)
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen
Gessel (XVIII w.)
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin
Anonim (XVII w.)
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
Johann Daniel Pucklitz (1705-1774)
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt
Anonim (XVIII w.) –
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
www.sarton.pl/katalog/details/42
News
Bettina Ranch

Bettina Ranch: Verdi twice
At the start of the 22/23 season, Bettina Ranch will be performing the Verdi Requiem twice. First as part of the Anima Mundi Festival 2022 in the Cathedral of Pisa with the Staatskapelle Halle under the direction of Hartmut Haenchen, then in the final concert at the IMAD Festival in the Cathedral of Paderborn. Her concert season is richly equipped with concert debuts such as Wagner's Wesendonck songs (Essen Philharmonic Orchestra under Erik Nielsen) and Schumann's "Das Paradies und die Peri" (Robert Schumann Philharmonie Chemnitz / MDR-Rundfunkchor under Guillermo García Calvo) and the German premiere of two works by Pergolesi. She will make her house debut with the Weihnachtsoratoruim at Hamburg's Elbphilharmonie under Hans-Jörg Albrecht, and she will return to the Milan Auditorium, where she will once again perform the Mozart Requiem with the Orchestra Sinfonica di Milano, conducted by Claus Peter Flor - with the Essen Philharmonic under Tomáš Netopil, Mendelssohn-Bartholdy's song of praise and Mahler's 3rd symphony will follow, and the Easter program will feature the Johannes Passion under the baton of Attilio Cremonesi with the Beethoven Orchestra Bonn.At her parent company in Essen, she takes on the title role in Carmen, Ramiro/La finta Giardiniera, Adelaide/Arabella and Adalgisa/Norma, among others, and she appears as Marcellina in the new production of Le nozze di Figaro, directed by Floris Visser and conducted by Tomáš Netopil.
Media
Images
Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available
Press
Il Trittico/ Aalto-Musiktheater Essen / 23.01.22 / opernmagazin.de
"Frugola in Il Tabarro [...] Fürstin in Suor Angelica [...] zwei glänzende Rollendebüts"
Dido & Aeneas / Aalto-Musiktheater Essen / 02.01.22 / omm.de
"Bettina Ranch gestaltet die Zauberin, Didos Alter Ego, mit sattem Mezzossopran"
La Clemenza di Tito / Aalto-Musiktheater Essen / 22.06.17 / waz.de
"einen Auftritt[...], der nicht nur die Kritiker zu Lobeshymnen hinriss"
La Clemenza di Tito / Aalto-Musiktheater Essen / 06.06.17 / literaturundfeuilleton.wordpress.com
"allen voran Publikumsliebling Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 05.06.17 / waz.de
"wird zum Triumph für Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 03.06.17 / theaterpur.net
"an diesem Abend sicher prima inter pares"
Nabucco / Aalto-Musiktheater Essen / 17.04.17 / operaticsonline.com
"her sense of bel canto is impeccable"
Norma / Aalto-Musiktheater Essen / 12.10.16 /
opernnetz.de
"in allen Lagen weiche und mühelos ansprechende Stimme"
Norma / Aalto-Musiktheater Essen / 08.10.16 / der-neue-merker.eu
"von feinem Glanz geadeltem Gesang"