Biography

Berlin-born mezzo-soprano, Bettina Ranch, initially studied violin and subsequently changed to singing.
Over the last years, she has given successful guest performances at renowned opera houses such as the Staatsoper Unter den Linden Berlin, the Deutsche Oper Berlin, the Komische Oper Berlin, the Hamburg State Opera, the Aalto-Theater Essen, the Grand Théâtre de la Ville de Luxembourg, and the Nederlandse Opera Amsterdam, where she was engaged amongst others for Mozart and Wagnerian roles as well as major roles in the different baroque operas by Georg Friedrich Handel.

In the concert field, she sang in particular the masses by Mozart, the Bach Passions and Mass in B minor, the Messiah, the Verdi-Requiem and Dvořák’s Stabat Mater but also performed works such as Mahler’s symphonic cantata The Song of Mourning (Das klagende Lied) and his 2nd symphony, Bruckner’s Te Deum, Franz Schmidt’s The Book with Seven Seals, as well as Nono’s Il Canto sospeso at the Salzburg Festival. On these occasions, she worked repeatedly with renowned ensembles and orchestras such as the Hamburg Philharmonic Orchestra, the International Bach Academy in Stuttgart, the Chamber Academy Potsdam, the Dresden Philharmonic,SWR Symphony Orchestra, the Bremen Philharmonic, the Leipzig Gewandhaus Orchestra, the RTVE Orchestra Madrid, Orchestra Sinfonica di Milano Giuseppe Verdi, the DSO Berlin, the RIAS Chamber Choir, and  the Mozarteum Orchestra Salzburg and under prominent conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Helmuth Rilling, Rinaldo Alessandrini, Paul Goodwin, Peter Rundel, and Ivor Bolton.

Since the season 2016/2017 Bettina Ranch is a member of ensemble at Aalto-Theater Essen where she already sang roles such as the title role of Carmen, Fricka and Schwertleite/Die Walküre as well as the latter in Ring an einem Abend, Ludmilla/The bartered Bride, Gertrude/Hans Heiling, Adalgisa/Norma, Maddalena/Rigoletto, Emilia/Otello, Federica/Luisa Miller, Voice of the Mother/Les Contes d’Hoffmann, Princess Clarice/The Love for Three Oranges, Fenena/Nabucco, 1st Maid/Elektra, and Sesto/La clemenza di Tito.

In the season 2019/20 she is once again active in both the opera and concert field. At her parent house in Essen she will take on the title of Carmen,  Emilia/Otello, Fricka and Waltraute/Ring an einem Abend, Dorabella/Così fan tutte, Marcellina in the new production Le nozze di Figaro and Annina/Der Rosenkavalier each under the baton of Tomáš Netopil, Kain in the new production of Scarlatti’s Kain und Abel, as well as Marthe in Gounod’s Faust under Sébastien Rouland. Furthermore, she will interpret Siegrune/Die Walküre at Danish National Opera Amsterdam under Marc Albrecht.
In addition, she will sing Mahler’s 3rd symphony under the baton of Tomáš Netopil, as well as Beethoven’s 9th symphony with Marek Janowski at the conductor’s stand of the WDR Symphony Orchestra at the Philharmonie Essen, as well as Beethoven’s 9th symphony under Markus Poschner in Dresden.

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Artist Website

www.bettinaranch.com 

Management

General Management

Artist Manager

Repertoire

Discography

Haydn "Harmoniemesse"
Erschienen Oktober 2016 bei Rondeau

Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert

Ina Siedlaczek / Tobias Hunger / Tobias Berndt

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Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics

Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young

Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev

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Muzyczne Dziedzictwo Miasta Gdańska Vol. VI 
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie
Erschienen Dezember 2015 bei SARTON

Goldberg Baroque Ensemble 
Andrzej Mikołaj Szadejko-dyrygent 
Adam Pastuszka-koncertmistrz

Ingrida Gápová-sopran 
Klaudia Trzasko-sopran 
Bettina Ranch-alt 
Georg Poplutz-tenor 
Stefan Geyer-bas 

Johann Georg Hoffmann (1700-1780) 
Kantata na niedzielę Cantate Nun lob meine Seel den Herren 
Friedrich Christian Mohrheim (1719-1780) 
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen 
Gessel (XVIII w.) 
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin 
Anonim (XVII w.) 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus 
Johann Daniel Pucklitz (1705-1774) 
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt 
Anonim (XVIII w.) – 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus

www.sarton.pl/katalog/details/42 

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