Biography
Bettina Ranch initially started studying the Violin in her hometown Berlin and only later changed to studying singing. She is currently vocally supervised by Caroline Merz. Since the season of 2016/17, Bettina Ranch is now a member of the ensemble at the Alto-Theater in Essen where she was heard in the title role of Carmen, as Fricka/The Valkyrie, Adalgisa/Norma, Maddalena/Rigoletto, Fenena/Nabucco, Dorabella/Coí fan tutte, Annina/Rosenkavalier, Adelaide/Arabella. in Puccini’s Trittico as La Zia Principessa (Suor Angelica) and La Frugola(Il Tabarro), with the title role in Gluck’s Orfeo ed Euridice and as Cain in Scarlattis Cain and Abel, among other things.Last season, she celebrated important role debuts including Amneris/Aida and Brangäne/Tristan und Isolde under the direction of the new GMD Andrea Sanguineti, and as Margret/Wozzeck which was supplemented with 3 of Alban Berg’s 7 Frühe Lieder.
She also made her debut as a presenter with a humorous and very successful operetta gala in Essen.
Bettina Ranch has worked with conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Tomáš Netopil, Claus Peter Flor, Helmuth Rilling, Rinaldo Alessandrini, Rubén Dubrovsky, Hansjörg Albrecht, Paul Goodwin, Christopher Moulds, Peter Rundel, Michael Sanderling, Marc Albrecht, Andrey Boreyko, Erik Nielsen, Roland Kluttig, Krzysztof Urbański, Christoph König, Ivor Bolton and directors such as Pierre Audi, Georges Delnon, Tobias Hoheisel, Lotte de Beer, Roland Schwab, Frédéric Buhr, Hinrich Horstkotte, David Hermann, Johannes Erath, Floris Visser, Martin G. Berger and Tatjana Gürbaca.
She also regularly demonstrates her versatility in concert with a wide variety of repertoire, including Mozart's masses, Johann Sebastian Bach's Passions and Mass in B minor, the Messiah, Beethoven's Missa solemnis, Mendelssohn-Bartholdy's Lobgesang and Elijah, Schumann's Das Paradies und die Peri, Verdi's Requiem, Dvořák's Stabat Mater, Bruckner's Te Deum, Wagner's Wesendonck-Lieder and again and again with works by Gustav Mahler such as Das klagende Lied and Symphonies no. 2 and 3, Franz Schmidt's Book with Seven Seals and Nono's Il Canto sospeso, the latter of which she debuted at the Salzburg Festival.
She has repeatedly worked with orchestras such as the Hamburg Philharmonic State Orchestra, the Stuttgart International Bach Academy, the Potsdam Chamber Academy, the Dresden Philharmonic, the Bremen Philharmonic, the Leipzig Gewandhaus Orchestra, the SWR Symphony Orchestra, the Orchestra Sinfonica di Milano Giuseppe Verdi, the RTVE Madrid Radio Symphony Orchestra, the DSO Berlin, the RIAS Chamber Choir and the Mozarteum Orchestra Salzburg.
In the past concert season, she made her house debut in the Hamburg Elbphilharmonie, returned to the Milan Auditorium with the Mozart Requiem and Mahler No. 2 and a special highlight was Mahler's 8th Symphony (Mulier Samaritana) in Milan Cathedral and again with the Orchestra Sinfonica e Coro Sinfonico di Milano.
Bettina Ranch has made guest appearances at many renowned opera houses such as the Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Oper Köln, Staatsoper Hamburg, the Grand Théâtre de la Ville de Luxembourg and the Nederlandse Opera Amsterdam, where she has attracted attention from the Baroque to engagements in the Wagner repertoire.
In the summer of 2024, she toured Beijing as Fricka in Rheingold, directed by Stefano Poda and musically conducted by Lü Jia. And in Essen, the new 24/25 season will see her premiere Preziosilla in Verdi's La Forza del Destino under GMD Andrea Sanguineti, the resumption of Wozzeck this time under the baton of Daniel Cohen and the resumption of Amneris/Aida as well as her role debut as Kundry in Parsifal.
Numerous recordings document Bettina Ranch's career: Franz Schmidts' Buch mit sieben Siegeln/ Oehms Classics with the Hamburg Philharmonic/ NDR Choir under Simone Young, as well as Joseph Haydn's Il Ritorno di Tobia/ Sony Classics with the Mozarteum Orchestra Salzburg/ Salzburg Bach Choir under Ivor Bolton. In addition, Mahler's 2nd and 3rd Symphonies were released in 2022 and 2023 by OEHMS Classics under the direction of Tomáš Netopil.
Artist Website
www.bettinaranch.comManagement
General ManagementArtist Manager
Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20
Repertoire
Repertoire Concert
Bach, C.P.E. | Magnificat |
Bach, J.C. | Magnificat |
Bach, J.S. | h-moll-Messe |
Johannes-Passion | |
Kantaten (div.) | |
Magnificat | |
Matthäus-Passion | |
Weihnachtsoratorium | |
Beethoven | 9. Sinfonie |
Messe C-Dur Op. 86 | |
Missa solemnis | |
Bernstein | Chichester-Psalms |
Brahms | Alt-Rhapsodie |
Liebeslieder-Walzer | |
Neue Liebeslieder-Walzer | |
Lieder (div.) | |
Bruckner | Messe in d-Moll |
Messe in f-Moll | |
Te Deum | |
Duruflé | Requiem |
Dvořák | Requiem |
Stabat Mater | |
Messe D-Dur | |
Gade | Korsfarerne/ Kreuzfahrer |
Gessel | Vater ich will, dass wo ich bin BG PAN Ms. Cath.f.46 |
Haydn | Arianna a Naxos |
Die Sieben Worte | |
Il ritorno di Tobia / Anna | |
Harmoniemesse | |
Nelsonmesse | |
Paukenmesse | |
Schöpfungsmesse | |
Stabat Mater | |
Händel | Dettinger Te Deum |
Israel in Ägypten | |
Jephtha / Storgè | |
Johannes-Passion | |
Messiah | |
Solomon | |
Neun deutsche Arien | |
Hoffmann | Nun lob meine Seele den Herren BG Ms. Joh. 162 |
Homilius | Johannes-Passion |
Weihnachtsoratorium | |
Lang | Fichten |
Liszt | Die Legende der heiligen Elisabeth / Sophie |
Mahler | Das klagende Lied |
2. Sinfonie | |
3. Sinfonie | |
8. Sinfonie | |
Martin | 6 Monologe aus Jedermann |
Mendelssohn | 3 geistliche Lieder Op.96 |
Elias | |
Lobgesang | |
Paulus | |
Sommernachtstraum | |
Mohrheim | Gott fähret auf mit Jauchzen BG PAN Ms. Joh. 385 |
Mozart | Betulia Liberata / Giuditta |
c-moll-Messe | |
Davidde penitente | |
Krönungsmesse | |
Messias | |
Missa Solemnis | |
Requiem | |
Thamos | |
Vesperae | |
Nicolai | Messe in D |
Nono | Il canto sospeso |
Palmeri | Misa A Buenos Aires / Misatango |
Penderecki | Credo |
Pergolesi | Stabat Mater |
Pucklitz | Also hat Gott die Welt geliebt BG PAN Ms. Joh 245 |
Rossini | Petite Messe solennelle |
Schreier | Er ist nicht |
Schmidt | Das Buch mit sieben Siegeln |
Schumann | Das Paradies und die Peri |
Faust-Szenen | |
Spanische Liebeslieder | |
Spanisches Liederspiel | |
Lieder (div.) | |
Rheinische | |
Schubert | Magnificat |
Messe in As | |
Messe in B | |
Messe in Es | |
Ständchen | |
Spohr | Die letzten Dinge |
Suppè | Requiem |
Telemann | Deutsches Magnificat |
Matthäus-Passion | |
Verdi | Requiem |
Vivaldi | Dixit Dominus |
Magnificat | |
Stabat Mater | |
Wagner | Wesendonk - Lieder |
Zelenka | Lamentatio II |
Zimmermann | Die Soldaten - Vokalsinfonie |
Repertoire Opera
Bellini | Norma | Adalgisa |
Berg | Wozzeck | Margret |
Bizet | Carmen | Carmen |
Dusapin | Medea | Medeastimme 4 |
Donizetti | Lucia di Lammermoor | Alisa |
Gluck | Orfeo ed Euridice | Orfeo |
Gounod | Faust | Marthe Schwertlein |
Graupner | Berenice und Lucilla | Lucilla |
Händel | Alcina | Bradamante |
Ariodante | Ariodante | |
Giulio Caesare | Cornelia | |
Giulio Cesare | ||
Lotario | Matilde | |
Semele | Ino | |
Juno | ||
Xerxes | Amastris | |
Marschner | Hans Heiling | Gertrude |
Mozart | Die Zauberflöte | Dritte Dame |
La Betulia liberata | Giuditta | |
La clemenza di Tito | Sesto | |
Cosí fan tutte | Dorabella | |
La finta Giardiniera | Ramiro | |
Le nozze di Figaro | Marcellina | |
Offenbach | Les contes d'Hoffmann | Stimme aus dem Grab |
Giulietta - (Mezzofassung) | ||
Un Mari á la Porte | Susanne | |
Prokofiev | L'amour des trois oranges | Clarice |
Puccini | Il trittico | Frugola |
La Principessa | ||
Purcell | Dido and Aeneas | Sorceress |
Spirit | ||
Scarlatti | Il primo omicidio | Cain |
Smetana | Die verkaufte Braut | Ludmila |
Strauss, J. | Die Fledermaus | Prinz Orlofsky |
Strauss, R. | Elektra | 1. Magd |
Arabella | Adelaide | |
Rosenkavalier | Annina | |
Valtinoni | Die Schneekönigin | Blumenfrau / Frau aus Lappland |
Verdi | Aida | Amneris |
Nabucco | Fenena | |
Rigoletto | Maddalena | |
La Traviata | Annina | |
Luisa Miller | Federica | |
Otello | Emilia | |
Vivaldi | L'Olimpiade | Licida |
Wagner | Das Rheingold | Erda, Fricka, Flosshilde |
Die Walküre | Fricka, Schwertleite, Siegrune | |
Götterdämmerung | 1.Norn, Flosshilde, Waltraute | |
Ring an einem Abend | Fricka, Waltraute | |
Tristan und Isolde | Brangäne |
Discography
Haydn "Harmoniemesse"Erschienen Oktober 2016 bei Rondeau
Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert
Ina Siedlaczek / Tobias Hunger / Tobias Berndt
Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics
Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young
Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev
Muzyczne Dziedzictwo Miasta Gdańska Vol. VI
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie
Erschienen Dezember 2015 bei SARTON
Goldberg Baroque Ensemble
Andrzej Mikołaj Szadejko-dyrygent
Adam Pastuszka-koncertmistrz
Ingrida Gápová-sopran
Klaudia Trzasko-sopran
Bettina Ranch-alt
Georg Poplutz-tenor
Stefan Geyer-bas
Johann Georg Hoffmann (1700-1780)
Kantata na niedzielę Cantate Nun lob meine Seel den Herren
Friedrich Christian Mohrheim (1719-1780)
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen
Gessel (XVIII w.)
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin
Anonim (XVII w.)
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
Johann Daniel Pucklitz (1705-1774)
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt
Anonim (XVIII w.) –
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
www.sarton.pl/katalog/details/42
News
Rataplan! Preziosilla in Verdi´s La Forza Del Destino
After her role debuts as Amneris in Aida and Brangäne in Tristan, Bettina Ranch returns from a highly successful guest performance as Fricka in Rheingold in Beijing. Another major premiere awaits her here: as the ‘ideal cast’ in Verdi's la Forza del Destino, she impresses the audience as Preziosilla ‘in terms of acting and, above all, singing!’ ‘Sensual, powerful and resounding’ at the Aalto-Theater Essen. She will be seen there in nine further performances under the direction of Andrea Sanguineti/ Wolfram-Maria Märtig. This season, audiences in Essen can also look forward to Bettina Ranch's debut as Kundry in Parsifal!Information and performance dates:
www.theater-essen.de
Press review - The opera magazine - 10.11.2024
www.opernmagazin.de
A new Ring is being forged!
Beijing is getting a new Ring, and several BOM artists are helping to forge it! The new staging by Italian stage director Stefano Poda features Bettina Ranch as Fricka, Tómas Tómasson as Alberich and Robert Bork as Donner, alongside colleagues such as Egils Siliņš (Wotan), Arnold Bezuyen (Mime) and Christian Franz (Loge).The production is conducted by Lü Jia and can be experienced at Beijing's National Centre for the Performing Arts on the following nights:
August 28/30 & September 01/03, 2024
Further information:
www.chncpa.org/...
Between Ireland and Cornwall with Tristan and Isolde
Following Bettina Ranch's highly acclaimed Amneris in Aida, the next major role debut will now take place at her home theatre in Essen, Brangäne in Wagner's Tristan und Isolde. The premiere, directed by Barrie Kosky and conducted by GMD Andrea Sanguineti, will take place on 21 April 2024.Further performance dates:
www.theater-essen.de
Top-class Amneris debut!
For the Berlin mezzo-soprano, the still new year begins with an exciting role debut. Under the new Italian GMD of the Aalto-Theater and the Essen Philharmonic Orchestra, Andrea Sanguineti, she sings Amneris in Aida. The revival premiere on 16 February 2024 in the cult staging by Dietrich W. Hilsdorf was a triumph for Bettina Ranch and one can already look forward to her next role debut as Brangäne in Tristan und Isolde on 21 April in Essen, where she will be able to draw attention to herself a second time in the dramatic mezzo repertoire.Performance dates Aida: 24.2./7.3./7.4.2024
Performance dates Tristan and Isolde: 21.4./28.4./5.5./12.5.2024
Media
ImagesRheingold Fricka
Beijing 24'
Photo: Stefano PodaRheingold Fricka
Beijing 24'
Photo: Stefano PodaRheingold Fricka
Beijing 24'
Photo: Stefano PodaPortrait
Photo: Janine Guldener
Download availablePortrait
Photo: Janine Guldener
Download available Portrait
Photo: Janine Guldener
Download available Portrait
Photo: Janine Guldener
Download availablePortrait
Photo: Janine Guldener
Download available
Press
Tristan und Isolde / Aalto-Musiktheater Essen / 15.05.24 / cult.news
"Nous avons rarement vu une Brangäne occupant à ce point sa place, de manière aussi spectaculaire et l'ovation spéciale qui l'a accueillie a étè sincère et spontanée [...]"
Tristan und Isolde / Aalto-Musiktheater Essen / 22.04.24 / onlinemerker.de
"Sehr selten durfte ich bisher eine Brangäne auf so hohem sanglichen Niveau erleben. Neben der optisch attraktiven Erscheinung glänzte Bettina Ranch mit höhensicherem Mezzosopran, schenkte ihrem Wachgesang mit wunderschönem Timbre ein weiches, traumhaftes, ebenmäßiges Fluten des herrlichen Materials, trumpfte ebenso mächtig auf und in keiner Phase verlor die bestens fokussierte Stimme an Schönheit und klangvoller Substanz. Bravo!"
CD: Mahler 3 / Essener Philharmoniker - Tomáš Netopil / 15.06.23 / deropernfreund.de
"Ein besonderes Highlight dieser Aufnahme sind die verschiedenen Chöre und die Altistin, die in Mahlers dritter Sinfonie zum Einsatz kommen. Bettina Ranch als Alt-Solistin bringt einen satt tönenden Stimmklang und eine authentische Ausdruckskraft in ihr Solo. Ihre Textverständlichkeit ist mustergültig, sodass dieser Satz eine tiefe Eindringlichkeit erfährt."
Il Trittico/ Aalto-Musiktheater Essen / 23.01.22 / opernmagazin.de
"Frugola in Il Tabarro [...] Fürstin in Suor Angelica [...] zwei glänzende Rollendebüts"
Dido & Aeneas / Aalto-Musiktheater Essen / 02.01.22 / omm.de
"Bettina Ranch gestaltet die Zauberin, Didos Alter Ego, mit sattem Mezzosopran"
La Clemenza di Tito / Aalto-Musiktheater Essen / 22.06.17 / waz.de
"einen Auftritt[...], der nicht nur die Kritiker zu Lobeshymnen hinriss"
La Clemenza di Tito / Aalto-Musiktheater Essen / 06.06.17 / literaturundfeuilleton.wordpress.com
"allen voran Publikumsliebling Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 05.06.17 / waz.de
"wird zum Triumph für Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 03.06.17 / theaterpur.net
"an diesem Abend sicher prima inter pares"
Nabucco / Aalto-Musiktheater Essen / 17.04.17 / operaticsonline.com
"her sense of bel canto is impeccable"
Norma / Aalto-Musiktheater Essen / 12.10.16 /
opernnetz.de
"in allen Lagen weiche und mühelos ansprechende Stimme"
Norma / Aalto-Musiktheater Essen / 08.10.16 / der-neue-merker.eu
"von feinem Glanz geadeltem Gesang"