Biography
Bettina Ranch was born in Berlin and initially studied violin before turning her attention entirely to singing. Since the 2016/17 season, she has been a permanent member of the ensemble at the Aalto Theater Essen, where she has built up an impressive repertoire with a wide range of roles, including Carmen, Fricka (Die Walküre), Adalgisa (Norma), Maddalena (Rigoletto), Fenena (Nabucco), Dorabella (Così fan tutte), Annina (Der Rosenkavalier), Adelaide (Arabella), La Zia Principessa and La Frugola in Puccini's Il Trittico, the title role in Gluck's Orfeo ed Euridice and Cain in Scarlatti's Cain and Abel. She is currently being mentored by singing teacher Caroline Merz.In recent years, she has made a deliberate shift towards the dramatic repertoire. She has sung Brangäne (Tristan und Isolde), Amneris (Aida) and Preziosilla (Forza del Destino), among others, and made her role debut as Kundry in Wagner's Parsifal in the 2024/25 season. For her impressive performance in this role in Roland Schwab's new production at the Aalto Theater Essen, she is currently nominated for the German Theatre Prize DER FAUST 2025 in the category ‘Best Actress in Musical Theatre’. The award ceremony will take place in Stuttgart in autumn 2025. In the summer of 2024, she also appeared as Fricka in Rheingold on a guest performance tour in Beijing (director: Stefano Poda, musical director: Lü Jia). At the end of the 2024/25 season, she made a guest appearance at the Shanghai Grand Theatre as Brangäne in Roland Schwab's Bayreuth Festival production of Tristan und Isolde.
Bettina Ranch has also appeared at other renowned opera houses such as the Staatsoper Unter den Linden Berlin, the Deutsche Oper Berlin, the Komische Oper Berlin, the Oper Köln, the Staatsoper Hamburg, the Grand Théâtre de la Ville de Luxembourg and the Nederlandse Opera Amsterdam.
In the concert field, Bettina Ranch impresses with a wide-ranging repertoire that extends from Baroque to modern. This includes Mozart's great masses, Bach's Passions and the Mass in B minor, Handel's Messiah, Beethoven's Missa solemnis, Mendelssohn's Elijah and Lobgesang, Schumann's Das Paradies und die Peri, Verdi's Requiem, Dvořák's Stabat Mater, Bruckner's Te Deum, Wagner's Wesendonck Lieder, and numerous works by Gustav Mahler, Franz Schmidt, and Luigi Nono (Il canto sospeso – debut at the Salzburg Festival). She has worked with ensembles such as the Hamburg Philharmonic State Orchestra, the International Bach Academy Stuttgart, the Dresden Philharmonic, the Leipzig Gewandhaus Orchestra, the SWR Symphony Orchestra, the German Symphony Orchestra Berlin, the Mozarteum Orchestra Salzburg, the RTVE Radio Symphony Orchestra Madrid and other renowned orchestras. She has worked with conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Tomáš Netopil, Claus Peter Flor, Helmuth Rilling, Rinaldo Alessandrini, Rubén Dubrovsky, Hansjörg Albrecht, Paul Goodwin, Christopher Moulds, Peter Rundel, Michael Sanderling, Marc Albrecht, Andrey Boreyko, Erik Nielsen, Roland Kluttig, Krzysztof Urbański, Christoph König and Ivor Bolton.
More recently, she sang Mahler's 8th Symphony (Mulier Samaritana) in Milan Cathedral and again with the Orchestra Sinfonica e Coro Sinfonico di Milano. Other highlights included Mozart's Requiem and Mahler's 2nd Symphony at the Auditorium in Milan and her house debut at the Elbphilharmonie in Hamburg.
Numerous CD productions document Bettina Ranch's artistic work: Das Buch mit sieben Siegeln by Franz Schmidt (Oehms Classics) with the Hamburg Philharmonic Orchestra under Simone Young, Haydn's Il ritorno di Tobia (Sony Classics) with the Mozarteum Orchestra Salzburg under Ivor Bolton, and Mahler's 2nd and 3rd Symphonies (Oehms Classics, 2022 and 2023) under Tomáš Netopil.
In the 2025/26 season, Bettina Ranch will appear as Fricka in the new RING at the Cologne Opera under the baton of Marc Albrecht and directed by Paul-Georg Dittrich. She will return to the Aalto Theatre in Essen for another role debut as Gertrud in Hänsel und Gretel before returning to Cologne for the premiere of Die Walküre as Fricka. In April 2026, she will once again sing Kundry in the revival Parsifal in Essen. She will also sing Santuzza in Pietro Mascagni's Cavalleria Rusticana for the first time in concert with the Kiel Philharmonic Orchestra before concluding the season with the Verdi Requiem in another symphony concert under Andrea Sanguineti and the Essen Philharmonic Orchestra.
Artist Website
www.bettinaranch.comManagement
General ManagementArtist Manager

Natascha van Randenborgh
Associate Director
natascha@orlob.net
Mobil: +49-173-7 76 88 20
Repertoire
Repertoire Concert
Bach, C.P.E. | Magnificat |
Bach, J.C. | Magnificat |
Bach, J.S. | h-moll-Messe |
Johannes-Passion | |
Kantaten (div.) | |
Magnificat | |
Matthäus-Passion | |
Weihnachtsoratorium | |
Beethoven | 9. Sinfonie |
Messe C-Dur Op. 86 | |
Missa solemnis | |
Bernstein | Chichester-Psalms |
Brahms | Alt-Rhapsodie |
Liebeslieder-Walzer | |
Neue Liebeslieder-Walzer | |
Lieder (div.) | |
Bruckner | Messe in d-Moll |
Messe in f-Moll | |
Te Deum | |
Duruflé | Requiem |
Dvořák | Requiem |
Stabat Mater | |
Messe D-Dur | |
Gade | Korsfarerne/ Kreuzfahrer |
Gessel | Vater ich will, dass wo ich bin BG PAN Ms. Cath.f.46 |
Haydn | Arianna a Naxos |
Die Sieben Worte | |
Il ritorno di Tobia / Anna | |
Harmoniemesse | |
Nelsonmesse | |
Paukenmesse | |
Schöpfungsmesse | |
Stabat Mater | |
Händel | Dettinger Te Deum |
Israel in Ägypten | |
Jephtha / Storgè | |
Johannes-Passion | |
Messiah | |
Solomon | |
Neun deutsche Arien | |
Hoffmann | Nun lob meine Seele den Herren BG Ms. Joh. 162 |
Homilius | Johannes-Passion |
Weihnachtsoratorium | |
Lang | Fichten |
Liszt | Die Legende der heiligen Elisabeth / Sophie |
Mahler | Das klagende Lied |
2. Sinfonie | |
3. Sinfonie | |
8. Sinfonie, Mulier Samaritana | |
Martin | 6 Monologe aus Jedermann |
Mendelssohn | 3 geistliche Lieder Op.96 |
Elias | |
Lobgesang | |
Paulus | |
Sommernachtstraum | |
Mohrheim | Gott fähret auf mit Jauchzen BG PAN Ms. Joh. 385 |
Mozart | Betulia Liberata / Giuditta |
c-moll-Messe | |
Davidde penitente | |
Krönungsmesse | |
Messias | |
Missa Solemnis | |
Requiem | |
Thamos | |
Vesperae | |
Nicolai | Messe in D |
Nono | Il canto sospeso |
Palmeri | Misa A Buenos Aires / Misatango |
Penderecki | Credo |
Pergolesi | Stabat Mater |
Pucklitz | Also hat Gott die Welt geliebt BG PAN Ms. Joh 245 |
Rossini | Petite Messe solennelle |
Schreier | Er ist nicht |
Schmidt | Das Buch mit sieben Siegeln |
Schumann | Das Paradies und die Peri |
Faust-Szenen | |
Spanische Liebeslieder | |
Spanisches Liederspiel | |
Lieder (div.) | |
Rheinische | |
Schubert | Magnificat |
Messe in As | |
Messe in B | |
Messe in Es | |
Ständchen | |
Spohr | Die letzten Dinge |
Suppè | Requiem |
Telemann | Deutsches Magnificat |
Matthäus-Passion | |
Verdi | Requiem |
Vivaldi | Dixit Dominus |
Magnificat | |
Stabat Mater | |
Wagner | Wesendonck - Lieder |
Zelenka | Lamentatio II |
Zimmermann | Die Soldaten - Vokalsinfonie |
Repertoire Opera
Bellini | Norma | Adalgisa |
Berg | Wozzeck | Margret |
Bizet | Carmen | Carmen |
Dusapin | Medea | Medeastimme 4 |
Donizetti | Lucia di Lammermoor | Alisa |
Gluck | Orfeo ed Euridice | Orfeo |
Gounod | Faust | Marthe Schwertlein |
Graupner | Berenice und Lucilla | Lucilla |
Händel | Alcina | Bradamante |
Ariodante | Ariodante | |
Giulio Caesare | Cornelia | |
Giulio Cesare | ||
Lotario | Matilde | |
Semele | Ino | |
Juno | ||
Xerxes | Amastris | |
Humperdinck | Hänsel und Gretel | Gertrud, seine Frau (in Vorbereitung) |
Marschner | Hans Heiling | Gertrude |
Masacagni | Cavalleria Rusticana | Santuzza (in Vorbereitung) |
Mozart | Die Zauberflöte | Dritte Dame |
La Betulia liberata | Giuditta | |
La clemenza di Tito | Sesto | |
Cosí fan tutte | Dorabella | |
La finta Giardiniera | Ramiro | |
Le nozze di Figaro | Marcellina | |
Offenbach | Les contes d'Hoffmann | Stimme aus dem Grab |
Giulietta - (Mezzofassung) | ||
Un Mari á la Porte | Susanne | |
Prokofiev | L'amour des trois oranges | Clarice |
Puccini | Il trittico | Frugola |
La Principessa | ||
Purcell | Dido and Aeneas | Sorceress |
Spirit | ||
Scarlatti | Il primo omicidio | Cain |
Smetana | Die verkaufte Braut | Ludmila |
Strauss, J. | Die Fledermaus | Prinz Orlofsky |
Strauss, R. | Elektra | 1. Magd |
Arabella | Adelaide | |
Rosenkavalier | Annina | |
Valtinoni | Die Schneekönigin | Blumenfrau / Frau aus Lappland |
Verdi | Aida | Amneris |
Forza del Destino | Preziosilla | |
Nabucco | Fenena | |
Rigoletto | Maddalena | |
La Traviata | Annina | |
Luisa Miller | Federica | |
Otello | Emilia | |
Vivaldi | L'Olimpiade | Licida |
Wagner | Das Rheingold | Erda, Fricka, Flosshilde |
Die Walküre | Fricka, Schwertleite, Siegrune | |
Götterdämmerung | 1.Norn, Flosshilde, Waltraute | |
Parsifal | Kundry | |
Ring an einem Abend | Fricka, Waltraute | |
Tristan und Isolde | Brangäne |
Discography
Haydn "Harmoniemesse"Erschienen Oktober 2016 bei Rondeau
Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert
Ina Siedlaczek / Tobias Hunger / Tobias Berndt
Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics
Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young
Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev
Muzyczne Dziedzictwo Miasta Gdańska Vol. VI
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie
Erschienen Dezember 2015 bei SARTON
Goldberg Baroque Ensemble
Andrzej Mikołaj Szadejko-dyrygent
Adam Pastuszka-koncertmistrz
Ingrida Gápová-sopran
Klaudia Trzasko-sopran
Bettina Ranch-alt
Georg Poplutz-tenor
Stefan Geyer-bas
Johann Georg Hoffmann (1700-1780)
Kantata na niedzielę Cantate Nun lob meine Seel den Herren
Friedrich Christian Mohrheim (1719-1780)
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen
Gessel (XVIII w.)
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin
Anonim (XVII w.)
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
Johann Daniel Pucklitz (1705-1774)
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt
Anonim (XVIII w.) –
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus
www.sarton.pl/katalog/details/42
News

In Shanghai with Roland Schwab's Bayreuth Tristan production
From 2025 to 2027, the Bayreuth Festival will be performing three Wagner operas at the Shanghai Grand Theatre. The series will kick off with Roland Schwab's production of Tristan und Isolde, which will be performed on 4 and 6 July 2025. Bettina Ranch, who already impressed audiences in Beijing last year as Fricka in Wagner's Rheingold, will sing the role of Brangäne. Not least, she is currently nominated for the prestigious FAUST Theatre Prize for her portrayal of Kundry in Roland Schwab's new production of Parsifal in Essen.
...nominated for the FAUST 2025 for her role as Kundry in Parsifal
Great joy and recognition: Bettina Ranch has been nominated for the prestigious German theater award DER FAUST 2025 for her impressive portrayal of Kundry in Richard Wagner's Parsifal – in the category “Best Actress in Musical Theater” (opera singer).The award ceremony will take place on November 15, 2025, at the Theaterhaus Stuttgart – we offer our heartfelt congratulations and are already keeping our fingers crossed!
www.buehnenverein.de

Role debut as Kundry in Parsifal
Bettina Ranch celebrates her next role debut in Essen. After Amneris in Aida and Brangäne in Tristan, she will now take on the role of Kundry in Parsifal in the premiere on March 16th under the musical direction of General Music Director Andrea Sanguineti and staging by Roland Schwab.Further information and performance dates:
www.theater-essen.de

Rataplan! Preziosilla in Verdi´s La Forza Del Destino
After her role debuts as Amneris in Aida and Brangäne in Tristan, Bettina Ranch returns from a highly successful guest performance as Fricka in Rheingold in Beijing. Another major premiere awaits her here: as the ‘ideal cast’ in Verdi's la Forza del Destino, she impresses the audience as Preziosilla ‘in terms of acting and, above all, singing!’ ‘Sensual, powerful and resounding’ at the Aalto-Theater Essen. She will be seen there in nine further performances under the direction of Andrea Sanguineti/ Wolfram-Maria Märtig. This season, audiences in Essen can also look forward to Bettina Ranch's debut as Kundry in Parsifal!Information and performance dates:
www.theater-essen.de
Press review - The opera magazine - 10.11.2024
www.opernmagazin.de

A new Ring is being forged!
Beijing is getting a new Ring, and several BOM artists are helping to forge it! The new staging by Italian stage director Stefano Poda features Bettina Ranch as Fricka, Tómas Tómasson as Alberich and Robert Bork as Donner, alongside colleagues such as Egils Siliņš (Wotan), Arnold Bezuyen (Mime) and Christian Franz (Loge).The production is conducted by Lü Jia and can be experienced at Beijing's National Centre for the Performing Arts on the following nights:
August 28/30 & September 01/03, 2024
Further information:
www.chncpa.org/...
Media
Images
Beijing 24'
Photo: Stefano Poda

Beijing 24'
Photo: Stefano Poda

Beijing 24'
Photo: Stefano Poda

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available

Photo: Janine Guldener
Download available
Press
Tristan und Isolde / Aalto-Musiktheater Essen / 15.05.24 / cult.news
"Nous avons rarement vu une Brangäne occupant à ce point sa place, de manière aussi spectaculaire et l'ovation spéciale qui l'a accueillie a étè sincère et spontanée [...]"
Tristan und Isolde / Aalto-Musiktheater Essen / 22.04.24 / onlinemerker.de
"Sehr selten durfte ich bisher eine Brangäne auf so hohem sanglichen Niveau erleben. Neben der optisch attraktiven Erscheinung glänzte Bettina Ranch mit höhensicherem Mezzosopran, schenkte ihrem Wachgesang mit wunderschönem Timbre ein weiches, traumhaftes, ebenmäßiges Fluten des herrlichen Materials, trumpfte ebenso mächtig auf und in keiner Phase verlor die bestens fokussierte Stimme an Schönheit und klangvoller Substanz. Bravo!"
CD: Mahler 3 / Essener Philharmoniker - Tomáš Netopil / 15.06.23 / deropernfreund.de
"Ein besonderes Highlight dieser Aufnahme sind die verschiedenen Chöre und die Altistin, die in Mahlers dritter Sinfonie zum Einsatz kommen. Bettina Ranch als Alt-Solistin bringt einen satt tönenden Stimmklang und eine authentische Ausdruckskraft in ihr Solo. Ihre Textverständlichkeit ist mustergültig, sodass dieser Satz eine tiefe Eindringlichkeit erfährt."
Il Trittico/ Aalto-Musiktheater Essen / 23.01.22 / opernmagazin.de
"Frugola in Il Tabarro [...] Fürstin in Suor Angelica [...] zwei glänzende Rollendebüts"
Dido & Aeneas / Aalto-Musiktheater Essen / 02.01.22 / omm.de
"Bettina Ranch gestaltet die Zauberin, Didos Alter Ego, mit sattem Mezzosopran"
La Clemenza di Tito / Aalto-Musiktheater Essen / 22.06.17 / waz.de
"einen Auftritt[...], der nicht nur die Kritiker zu Lobeshymnen hinriss"
La Clemenza di Tito / Aalto-Musiktheater Essen / 06.06.17 / literaturundfeuilleton.wordpress.com
"allen voran Publikumsliebling Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 05.06.17 / waz.de
"wird zum Triumph für Bettina Ranch"
La Clemenza di Tito / Aalto-Musiktheater Essen / 03.06.17 / theaterpur.net
"an diesem Abend sicher prima inter pares"
Nabucco / Aalto-Musiktheater Essen / 17.04.17 / operaticsonline.com
"her sense of bel canto is impeccable"
Norma / Aalto-Musiktheater Essen / 12.10.16 /
opernnetz.de
"in allen Lagen weiche und mühelos ansprechende Stimme"
Norma / Aalto-Musiktheater Essen / 08.10.16 / der-neue-merker.eu
"von feinem Glanz geadeltem Gesang"