Biography

Bettina Ranch initially studied violin in her hometown Berlin and subsequently changed to singing. The opera singer Caroline Merz is currently taking care of Bettina Ranch. Over the last years, she has given successful guest performances at renowned opera houses such as the Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Staatsoper Hamburg, Aalto-Theater Essen, Grand Théâtre de la Ville de Luxembourg, and the Nederlandse Opera Amsterdam, where she repeatedly draws attention to herself with her interpretations ranging from the Baroque to the Wagner repertoire.

In the concert field, she regularly proves her versatility with different repertoire, such as e.g. the Masses by Mozart, the Passions and Mass in B minor by Johann Sebastian Bach, the Messiah, Beethoven's Missa solemnis, Verdi's Requiem, Dvořák's Stabat Mater, frequently with works by Gustav Mahler such as Das klagende Lied and Symphony No. 2, Bruckner's Te Deum, Franz Schmidt's Book with Seven Seals and Nono's Il Canto sospeso, in which she made her debut at the Salzburger Festspiele.

She has repeatedly worked with renowned ensembles and orchestras such as Philharmonisches Orchester Hamburg, the International Bach Academy in Stuttgart, Kammerakademie Potsdam, Dresdner Philharmoniker, SWR Sinfonieorchester, Bremer Philharmoniker, Leipzig Gewandhausorchester, the RTVE Orchestra Madrid, Orchestra Sinfonica di Milano Giuseppe Verdi, DSO Berlin, RIAS Chamber Choir, and the Mozarteumorchester Salzburg and under prominent conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Helmuth Rilling, Rinaldo Alessandrini, Paul Goodwin, Peter Rundel, and Ivor Bolton.

Since the 2016/17 season Bettina Ranch has been a member of the ensemble at the Aalto-Theater in Essen, where she has sung the title roles of Carmen and Orfeo/Euridice, as well as roles such as Fricka/Die Walküre, Adalgisa/Norma, Maddalena/Rigoletto, Fenena/Nabucco, Sesto/La clemenza di Tito, Dorabella/Così fan tutte, Annina/Rosenkavalier, Cain in Scarlatti's Cain and Abel and many others.

At the start of the 22/23 season, Bettina Ranch can be heard twice in Giuseppe Verdi's Requiem: first as part of the Anima Mundi Festival 2022 in the Cathedral of Pisa with the Staatskapelle Halle under the direction of Hartmut Haenchen, and in the final concert at the IMAD-Festival in the Paderborn Cathedral. In addition, her concert season 22/23 includes many concert debuts with works such as Wagner's Wesendonck-Lieder (the Essener Philharmoniker conducted by Erik Nielsen) and Schumann's "Das Paradies und die Peri" (Robert-Schumann-Philharmonie Chemnitz and MDR Radio Choir conducted by Guillermo García Calvo) and the German premiere of two works by Pergolesi. Furthermore she will make her debut at Hamburg's Elbphilharmonie with Bach's Christmas Oratorio under Hans-Jörg Albrecht, and she will return to the Milan Auditorium where she will once again perform the Mozart Requiem with the Orchestra Sinfonica di Milano, conducted by Claus Peter Flor. She will also be performing together with the Essener Philharmoniker under the baton of Tomáš Netopil in Mendelssohn-Bartholdy's "Lobgesang" and Mahler's 3rd symphony, and her Easter program features the St. John Passion conducted by Attilio Cremonesi with the Beethoven Orchester Bonn.
At her parent house in Essen she takes on the title role in Carmen, Ramiro/La finta Giardiniera, Adelaide/Arabella and Adalgisa/Norma, among others, and appears as Marcellina in the new production Le nozze di Figaro, directed by Floris Visser and conducted by Tomáš Netopil.

Numerous recordings document her career, such as Franz Schmidt's Book with seven seals, which was published by Oehms Classics with the Hamburger Philharmoniker/NDR Chor under the musical direction of Simone Young, and Joseph Haydn's Il Ritorno di Tobia by Sony Classics with the Salzburg Mozarteumorchester / Salzburg Bach Choir conducted by Ivor Bolton.

Artist Website

www.bettinaranch.com 

Management

General Management

Artist Manager
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Bach, C.P.E. Magnificat
Bach, J.C. Magnificat
Bach, J.S. B minor mass
  Cantatas (various)
  Christmas Oratorio
  Magnificat
  St. John Passion
  St. Matthew Passion
Beethoven Mass in C major Op. 86
  Missa solemnis
  Symphony no. 9
Bernstein Chichester-Psalms
Brahms Alt-Rhapsodie
  Liebeslieder-Walzer
  Neue Liebeslieder-Walzer
Bruckner Mass in D minor
  Te Deum
Duruflé Requiem
Dvořák Requiem
  Stabat Mater
Haydn Arianna a Naxos
  Die Sieben Worte
  Il ritorno di Tobia / Anna
  Harmoniemesse
  Nelsonmesse
  Paukenmesse
  Schöpfungsmesse
  Stabat Mater
Händel Dettinger Te Deum
  Israel in Egypt
  Jephtha / Storgè
  Messiah
  Solomon
  St. John Passion
Homilius Christmas Oratorio
  St. John Passion
Lang Fichten
Liszt Die Legende der heiligen Elisabeth / Sophie
Mahler Das klagende Lied
Martin 6 Monologe aus Jedermann
Mendelssohn 3 geistliche Lieder Op.96
  Elias
  Lobgesang
  Paulus
  Sommernachtstraum
Mozart Betulia Liberata / Giuditta
  C minor mass
  Coronation Mass
  Davide penitente
  Messias
  Missa Solemnis
  Requiem
  Thamos
  Vesperae Solennes 
Nicolai Mass in D major
Penderecki Credo
Pergolesi Stabat Mater
Rossini Petite Messe Solennelle
Schreier Er ist nicht
Schmidt Das Buch mit sieben Siegeln
Schumann Das Paradies und die Peri
  Faust-Szenen
  Spanische Liebeslieder
  Spanisches Liederspiel
Schubert Magnificat
  Mass in A flat major
  Mass in B flat major
  Mass in E flat major
  Ständchen
Suppè Requiem
Verdi Requiem
Vivaldi Dixit Dominus
  Magnificat
  Stabat Mater
Telemann Deutsches Magnificat
  St. Matthew Passion
Zelenka Lamentatio II
 

Repertoire Opera

Bellini La straniera Isoletta
  Norma Adalgisa
Dusapin Medea Medeastimme 4
Graupner Berenice und Lucilla Lucilla
Händel Alcina Bradamante
  Ariodante Ariodante
  Giulio Caesare Cornelia
    Giulio Cesare
  Lotario Matilde
  Semele Ino
    Juno
  Xerxes Amastris
Monteverdi Il ritorno d’Ulisse in patria Penelope
  L´Orfeo Messagiera
    La Speranza
    Proserpina
Mozart Die Zauberflöte 3.Dame
  La Betulia liberata Giuditta
  La clemenza di Tito Sesto
Offenbach Les contes d'Hoffmann La voix de la tombe
Prokofiev L'amour des trois oranges Clarice
Scarlatti Il primo omicidio Cain
Strauss, R. Elektra 1. Magd
Valtinoni Die Schneekönigin Blumenfrau / Frau aus Lappland
Verdi Nabucco Fenena
  Rigoletto Maddalena
Wagner Das Rheingold Erda
    Flosshilde
  Die Walküre Schwertleite
  Götterdämmerung Flosshilde

Discography

Haydn "Harmoniemesse"
Erschienen Oktober 2016 bei Rondeau

Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert

Ina Siedlaczek / Tobias Hunger / Tobias Berndt

Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics

Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young

Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev

Muzyczne Dziedzictwo Miasta Gdańska Vol. VI 
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie

Erschienen Dezember 2015 bei SARTON

Goldberg Baroque Ensemble 
Andrzej Mikołaj Szadejko-dyrygent 
Adam Pastuszka-koncertmistrz

Ingrida Gápová-sopran 
Klaudia Trzasko-sopran 
Bettina Ranch-alt 
Georg Poplutz-tenor 
Stefan Geyer-bas 

Johann Georg Hoffmann (1700-1780) 
Kantata na niedzielę Cantate Nun lob meine Seel den Herren 
Friedrich Christian Mohrheim (1719-1780) 
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen 
Gessel (XVIII w.) 
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin 
Anonim (XVII w.) 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus 
Johann Daniel Pucklitz (1705-1774) 
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt 
Anonim (XVIII w.) – 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus


www.sarton.pl/katalog/details/42 

News

Bettina Ranch

Bettina Ranch: Verdi twice 
At the start of the 22/23 season, Bettina Ranch will be performing the Verdi Requiem twice. First as part of the Anima Mundi Festival 2022 in the Cathedral of Pisa with the Staatskapelle Halle under the direction of Hartmut Haenchen, then in the final concert at the IMAD Festival in the Cathedral of Paderborn. Her concert season is richly equipped with concert debuts such as Wagner's Wesendonck songs (Essen Philharmonic Orchestra under Erik Nielsen) and Schumann's "Das Paradies und die Peri" (Robert Schumann Philharmonie Chemnitz / MDR-Rundfunkchor under Guillermo García Calvo) and the German premiere of two works by Pergolesi. She will make her house debut with the Weihnachtsoratoruim at Hamburg's Elbphilharmonie under Hans-Jörg Albrecht, and she will return to the Milan Auditorium, where she will once again perform the Mozart Requiem with the Orchestra Sinfonica di Milano, conducted by Claus Peter Flor - with the Essen Philharmonic under Tomáš Netopil, Mendelssohn-Bartholdy's song of praise and Mahler's 3rd symphony will follow, and the Easter program will feature the Johannes Passion under the baton of Attilio Cremonesi with the Beethoven Orchestra Bonn.

At her parent company in Essen, she takes on the title role in Carmen, Ramiro/La finta Giardiniera, Adelaide/Arabella and Adalgisa/Norma, among others, and she appears as Marcellina in the new production of Le nozze di Figaro, directed by Floris Visser and conducted by Tomáš Netopil.

Press

 

Il Trittico/ Aalto-Musiktheater Essen / 23.01.22 / opernmagazin.de


"Frugola in Il Tabarro [...] Fürstin in Suor Angelica [...] zwei glänzende Rollendebüts" 

Dido & Aeneas / Aalto-Musiktheater Essen / 02.01.22 / omm.de


"Bettina Ranch gestaltet die Zauberin, Didos Alter Ego, mit sattem Mezzossopran" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 22.06.17 / waz.de


"einen Auftritt[...], der nicht nur die Kritiker zu Lobeshymnen hinriss" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 06.06.17 / literaturundfeuilleton.wordpress.com


"allen voran Publikumsliebling Bettina Ranch" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 05.06.17 / waz.de


"wird zum Triumph für Bettina Ranch" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 03.06.17 / theaterpur.net


"an diesem Abend sicher prima inter pares" 

Nabucco / Aalto-Musiktheater Essen / 17.04.17 / operaticsonline.com


 "her sense of bel canto is impeccable"

Norma / Aalto-Musiktheater Essen / 12.10.16 /
opernnetz.de


"in allen Lagen weiche und mühelos ansprechende Stimme" 

Norma / Aalto-Musiktheater Essen / 08.10.16 / der-neue-merker.eu


 "von feinem Glanz geadeltem Gesang"
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