Biography

Bettina Ranch initially started studying the Violin in her hometown Berlin and only later changed to studying singing. She is currently vocally supervised by Caroline Merz. Since the season of 2016/17, Bettina Ranch is now a member of the ensemble at the Alto-Theater in Essen where she was heard  in the title role of Carmen, as Fricka/The Valkyrie, Adalgisa/Norma, Maddalena/Rigoletto, Fenena/Nabucco, Dorabella/Coí fan tutte, Annina/Rosenkavalier, Adelaide/Arabella. in Puccini’s Trittico as La Zia Principessa (Suor Angelica) and La Frugola(Il Tabarro), with the title role in Gluck’s Orfeo ed Euridice and as Cain in Scarlattis Cain and Abel, among other things. 

Last season, she celebrated important role debuts including Amneris/Aida and Brangäne/Tristan und Isolde under the direction of the new GMD Andrea Sanguineti, and as Margret/Wozzeck which was supplemented with 3 of Alban Berg’s 7 Frühe Lieder. 
She also made her debut as a presenter with a humorous and very successful operetta gala in Essen.

Bettina Ranch has worked with conductors such as Hartmut Haenchen, Markus Poschner, Simone Young, Tomáš Netopil, Claus Peter Flor, Helmuth Rilling, Rinaldo Alessandrini, Rubén Dubrovsky, Hansjörg Albrecht, Paul Goodwin, Christopher Moulds, Peter Rundel, Michael Sanderling, Marc Albrecht, Andrey Boreyko, Erik Nielsen, Roland Kluttig, Krzysztof Urbański, Christoph König, Ivor Bolton and directors such as Pierre Audi, Georges Delnon, Tobias Hoheisel, Lotte de Beer, Roland Schwab, Frédéric Buhr, Hinrich Horstkotte, David Hermann, Johannes Erath, Floris Visser, Martin G. Berger and Tatjana Gürbaca.

She also regularly demonstrates her versatility in concert with a wide variety of repertoire, including Mozart's masses, Johann Sebastian Bach's Passions and Mass in B minor, the Messiah, Beethoven's Missa solemnis, Mendelssohn-Bartholdy's Lobgesang and Elijah, Schumann's Das Paradies und die Peri, Verdi's Requiem, Dvořák's Stabat Mater, Bruckner's Te Deum, Wagner's Wesendonck-Lieder and again and again with works by Gustav Mahler such as Das klagende Lied and Symphonies no. 2 and 3, Franz Schmidt's Book with Seven Seals and Nono's Il Canto sospeso, the latter of which she debuted at the Salzburg Festival.

She has repeatedly worked with orchestras such as the Hamburg Philharmonic State Orchestra, the Stuttgart International Bach Academy, the Potsdam Chamber Academy, the Dresden Philharmonic, the Bremen Philharmonic, the Leipzig Gewandhaus Orchestra, the SWR Symphony Orchestra, the Orchestra Sinfonica di Milano Giuseppe Verdi, the RTVE Madrid Radio Symphony Orchestra, the DSO Berlin, the RIAS Chamber Choir and the Mozarteum Orchestra Salzburg.

In the past concert season, she made her house debut in the Hamburg Elbphilharmonie, returned to the Milan Auditorium with the Mozart Requiem and Mahler No. 2 and a special highlight was Mahler's 8th Symphony (Mulier Samaritana) in Milan Cathedral and again with the Orchestra Sinfonica e Coro Sinfonico di Milano.
Bettina Ranch has made guest appearances at many renowned opera houses such as the Staatsoper Unter den Linden Berlin, Deutsche Oper Berlin, Komische Oper Berlin, Oper Köln, Staatsoper Hamburg, the Grand Théâtre de la Ville de Luxembourg and the Nederlandse Opera Amsterdam, where she has attracted attention from the Baroque to engagements in the Wagner repertoire.

In the summer of 2024, she toured Beijing as Fricka in Rheingold, directed by Stefano Poda and musically conducted by Lü Jia. And in Essen, the new 24/25 season will see her premiere Preziosilla in Verdi's La Forza del Destino under GMD Andrea Sanguineti, the resumption of Wozzeck this time under the baton of Daniel Cohen and the resumption of Amneris/Aida as well as her role debut as Kundry in Parsifal.

Numerous recordings document Bettina Ranch's career: Franz Schmidts' Buch mit sieben Siegeln/ Oehms Classics with the Hamburg Philharmonic/ NDR Choir under Simone Young, as well as Joseph Haydn's Il Ritorno di Tobia/ Sony Classics with the Mozarteum Orchestra Salzburg/ Salzburg Bach Choir under Ivor Bolton. In addition, Mahler's 2nd and 3rd Symphonies were released in 2022 and 2023 by OEHMS Classics under the direction of Tomáš Netopil.

Artist Website

www.bettinaranch.com 

Management

General Management

Artist Manager
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Bach, C.P.E. Magnificat
Bach, J.C. Magnificat
Bach, J.S. h-moll-Messe
  Johannes-Passion
  Kantaten (div.)
  Magnificat
  Matthäus-Passion
  Weihnachtsoratorium
Beethoven 9. Sinfonie
  Messe C-Dur Op. 86
  Missa solemnis
Bernstein Chichester-Psalms
Brahms Alt-Rhapsodie
  Liebeslieder-Walzer
  Neue Liebeslieder-Walzer
  Lieder (div.)
Bruckner Messe in d-Moll
  Messe in f-Moll
  Te Deum
Duruflé Requiem
Dvořák Requiem
  Stabat Mater
  Messe D-Dur
Gade Korsfarerne/ Kreuzfahrer
Gessel Vater ich will, dass wo ich bin BG PAN Ms. Cath.f.46
Haydn Arianna a Naxos
  Die Sieben Worte
  Il ritorno di Tobia / Anna
  Harmoniemesse
  Nelsonmesse
  Paukenmesse
  Schöpfungsmesse
  Stabat Mater
Händel Dettinger Te Deum
  Israel in Ägypten
  Jephtha / Storgè
  Johannes-Passion
  Messiah
  Solomon
  Neun deutsche Arien
Hoffmann Nun lob meine Seele den Herren BG Ms. Joh. 162
Homilius Johannes-Passion
  Weihnachtsoratorium
Lang Fichten
Liszt Die Legende der heiligen Elisabeth / Sophie
Mahler Das klagende Lied
  2. Sinfonie
  3. Sinfonie
  8. Sinfonie
Martin 6 Monologe aus Jedermann
Mendelssohn 3 geistliche Lieder Op.96
  Elias
  Lobgesang
  Paulus
  Sommernachtstraum
Mohrheim Gott fähret auf mit Jauchzen BG PAN Ms. Joh. 385
Mozart Betulia Liberata / Giuditta
  c-moll-Messe
  Davidde penitente
  Krönungsmesse
  Messias
  Missa Solemnis
  Requiem
  Thamos
  Vesperae 
Nicolai Messe in D
Nono Il canto sospeso
Palmeri Misa A Buenos Aires / Misatango
Penderecki Credo
Pergolesi Stabat Mater
Pucklitz Also hat Gott die Welt geliebt BG PAN Ms. Joh 245
Rossini Petite Messe solennelle
Schreier Er ist nicht
Schmidt Das Buch mit sieben Siegeln
Schumann Das Paradies und die Peri
  Faust-Szenen
  Spanische Liebeslieder
  Spanisches Liederspiel
  Lieder (div.)
  Rheinische
Schubert Magnificat
  Messe in As
  Messe in B
  Messe in Es
  Ständchen
Spohr Die letzten Dinge
Suppè  Requiem
Telemann Deutsches Magnificat
  Matthäus-Passion
Verdi Requiem
Vivaldi Dixit Dominus
  Magnificat
  Stabat Mater
Wagner Wesendonk - Lieder
Zelenka Lamentatio II
Zimmermann Die Soldaten - Vokalsinfonie
 

Repertoire Opera

Bellini Norma Adalgisa
Berg Wozzeck Margret
Bizet Carmen Carmen
Dusapin Medea Medeastimme 4
Donizetti Lucia di Lammermoor Alisa
Gluck Orfeo ed Euridice Orfeo
Gounod Faust Marthe Schwertlein
Graupner Berenice und Lucilla Lucilla
Händel Alcina Bradamante
  Ariodante Ariodante
  Giulio Caesare Cornelia
    Giulio Cesare
  Lotario Matilde
  Semele Ino
    Juno
  Xerxes Amastris
Marschner Hans Heiling Gertrude
Mozart Die Zauberflöte Dritte Dame
  La Betulia liberata Giuditta
  La clemenza di Tito Sesto
  Cosí fan tutte Dorabella
  La finta Giardiniera  Ramiro
  Le nozze di Figaro Marcellina
Offenbach Les contes d'Hoffmann Stimme aus dem Grab
    Giulietta - (Mezzofassung)
  Un Mari á la Porte Susanne
Prokofiev L'amour des trois oranges Clarice
Puccini Il trittico Frugola
    La Principessa
Purcell Dido and Aeneas Sorceress
    Spirit
Scarlatti Il primo omicidio Cain
Smetana Die verkaufte Braut Ludmila
Strauss, J. Die Fledermaus Prinz Orlofsky
Strauss, R. Elektra 1. Magd
  Arabella Adelaide
  Rosenkavalier Annina
Valtinoni Die Schneekönigin Blumenfrau / Frau aus Lappland
Verdi Aida Amneris
  Nabucco Fenena
  Rigoletto Maddalena
  La Traviata Annina
  Luisa Miller Federica
  Otello Emilia
Vivaldi L'Olimpiade Licida
Wagner Das Rheingold Erda, Fricka, Flosshilde
  Die Walküre Fricka, Schwertleite, Siegrune
  Götterdämmerung 1.Norn, Flosshilde, Waltraute
  Ring an einem Abend Fricka, Waltraute
  Tristan und Isolde Brangäne

Discography

Haydn "Harmoniemesse"
Erschienen Oktober 2016 bei Rondeau

Reussisches Kammerorchester
Kammerchor der Frauenkirche Dresden
Matthias Grünert

Ina Siedlaczek / Tobias Hunger / Tobias Berndt

Franz Schmidt "Das Buch mit sieben Siegeln"
Erschienen Januar 2016 bei OehmsClassics

Philharmoniker Hamburg
NDR-Chor / Staatschor Latvia
Simone Young

Klaus Florian Vogt / Georg Zeppenfeld / Inga Kalna / Bettina Ranch / Dovlet Nurgeldiyev

Muzyczne Dziedzictwo Miasta Gdańska Vol. VI 
Kantaty Na Święto Zesłania Ducha Świętego i
Wniebowstąpienie

Erschienen Dezember 2015 bei SARTON

Goldberg Baroque Ensemble 
Andrzej Mikołaj Szadejko-dyrygent 
Adam Pastuszka-koncertmistrz

Ingrida Gápová-sopran 
Klaudia Trzasko-sopran 
Bettina Ranch-alt 
Georg Poplutz-tenor 
Stefan Geyer-bas 

Johann Georg Hoffmann (1700-1780) 
Kantata na niedzielę Cantate Nun lob meine Seel den Herren 
Friedrich Christian Mohrheim (1719-1780) 
Kantata na Wniebowstąpienie Gott fähret auf mit Jauchzen 
Gessel (XVIII w.) 
Kantata na Wniebowstąpienie Vater ich will, dass wo ich bin 
Anonim (XVII w.) 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus 
Johann Daniel Pucklitz (1705-1774) 
Kantata na Święto Zesłania Ducha Świętego Also hat Gott die Welt geliebt 
Anonim (XVIII w.) – 
Kantata na Święto Zesłania Ducha Świętego Veni Sancte Spiritus


www.sarton.pl/katalog/details/42 

News

Rataplan! Preziosilla in Verdi´s La Forza Del Destino
After her role debuts as Amneris in Aida and Brangäne in Tristan, Bettina Ranch returns from a highly successful guest performance as Fricka in Rheingold in Beijing. Another major premiere awaits her here: as the ‘ideal cast’ in Verdi's la Forza del Destino, she impresses the audience as Preziosilla ‘in terms of acting and, above all, singing!’ ‘Sensual, powerful and resounding’ at the Aalto-Theater Essen. She will be seen there in nine further performances under the direction of Andrea Sanguineti/ Wolfram-Maria Märtig. This season, audiences in Essen can also look forward to Bettina Ranch's debut as Kundry in Parsifal!

Information and performance dates:
www.theater-essen.de 

Press review - The opera magazine - 10.11.2024
www.opernmagazin.de 
A new Ring is being forged!
Beijing is getting a new Ring, and several BOM artists are helping to forge it! The new staging by Italian stage director Stefano Poda features Bettina Ranch as Fricka, Tómas Tómasson as Alberich and Robert Bork as Donner, alongside colleagues such as Egils Siliņš (Wotan), Arnold Bezuyen (Mime) and Christian Franz (Loge).
The production is conducted by Lü Jia and can be experienced at Beijing's National Centre for the Performing Arts on the following nights:
August 28/30 & September 01/03, 2024

Further information:
www.chncpa.org/... 
Between Ireland and Cornwall with Tristan and Isolde
Following Bettina Ranch's highly acclaimed Amneris in Aida, the next major role debut will now take place at her home theatre in Essen, Brangäne in Wagner's Tristan und Isolde. The premiere, directed by Barrie Kosky and conducted by GMD Andrea Sanguineti, will take place on 21 April 2024.

Further performance dates:
www.theater-essen.de 
Top-class Amneris debut!
For the Berlin mezzo-soprano, the still new year begins with an exciting role debut. Under the new Italian GMD of the Aalto-Theater and the Essen Philharmonic Orchestra, Andrea Sanguineti, she sings Amneris in Aida. The revival premiere on 16 February 2024 in the cult staging by Dietrich W. Hilsdorf was a triumph for Bettina Ranch and one can already look forward to her next role debut as Brangäne in Tristan und Isolde on 21 April in Essen, where she will be able to draw attention to herself a second time in the dramatic mezzo repertoire.

Performance dates Aida: 24.2./7.3./7.4.2024
Performance dates Tristan and Isolde: 21.4./28.4./5.5./12.5.2024

Press

 

Il Trittico/ Aalto-Musiktheater Essen / 23.01.22 / opernmagazin.de


"Frugola in Il Tabarro [...] Fürstin in Suor Angelica [...] zwei glänzende Rollendebüts" 

Dido & Aeneas / Aalto-Musiktheater Essen / 02.01.22 / omm.de


"Bettina Ranch gestaltet die Zauberin, Didos Alter Ego, mit sattem Mezzosopran" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 22.06.17 / waz.de


"einen Auftritt[...], der nicht nur die Kritiker zu Lobeshymnen hinriss" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 06.06.17 / literaturundfeuilleton.wordpress.com


"allen voran Publikumsliebling Bettina Ranch" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 05.06.17 / waz.de


"wird zum Triumph für Bettina Ranch" 

La Clemenza di Tito / Aalto-Musiktheater Essen / 03.06.17 / theaterpur.net


"an diesem Abend sicher prima inter pares" 

Nabucco / Aalto-Musiktheater Essen / 17.04.17 / operaticsonline.com


 "her sense of bel canto is impeccable"

Norma / Aalto-Musiktheater Essen / 12.10.16 /
opernnetz.de


"in allen Lagen weiche und mühelos ansprechende Stimme" 

Norma / Aalto-Musiktheater Essen / 08.10.16 / der-neue-merker.eu


 "von feinem Glanz geadeltem Gesang"
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