Biography

The native Finn, Arttu Kataja, started his musical studies as a nine-years-old by taking oboe lessons. He later studied singing at the Sibelius Academy in Helsinki and was a scholarship holder of the „Martti Talvela Foundation“, as well as a two-time winner at the International Mozart Contest in Salzburg.

Since 2006, Arttu Kataja is a member of the ensemble at the Staatsoper Unter den Linden Berlin, where he already worked with conductors such as Daniel Barenboim, Gustavo Dudamel, Asher Fisch, René Jacobs, Philippe Jordan, Andris Nelsons, Sir Simon Rattle, and Omer Meir Wellber. Roles at this house include i.e. Papageno/Die Zauberflöte, Peter/Hansel and Gretel, Bass/King Arthur, Marcello/La Bohème, and Musiklehrer/Ariadne auf Naxos.
Guest engagements led him, among others, to the Theater an der Wien, Teatro Municipal de Santiago de Chile, Staatsoper Hamburg, Deutsche Oper am Rhein, Finnish National Opera in Helsinki, to Tampere, as well as to the Savonlinna Opera Festival.

Also on the concert stage Mr. Kataja is very active. He sang Count Almaviva in a semi-staged producution on a world tour together with the Freiburger Barockorchester, works by J.S. Bach with the Helsinki Baroque Orchestra in Hamburg, Madrid, Bilbao, Lausanne and Beaune, as well as the St John Passion with the Akademie für Alte Musik and the RIAS Kammerchor at the MiTo Festival in Italy, each under the baton of René Jacobs.
Further concert highlights include Handel’s Messiah in the Philharmonie Dresden under Michael Sanderling, works by J.S. and C.P.E. Bach and Haydn’s The Seasons with the Internationale Bachakademie Stuttgart and under the musical direction of Hans-Christoph Rademann in Hamburg, Dresden, Stuttgart and Bremen, Ein deutsches Requiem in Bruneck and Brixen, cantatas and Magnificat by J.S. Bach together with the Deutsches Symphonie Orchester, the RIAS Kammerchor and Rinaldo Alessandrini in Berlin, Fauré’s Requiem with Pablo Pérez and the Orquesta y Coro de la Comunidad de Madrid, as well as Berlioz‘ L’enfance du Christ in Oviedo and Gijón. In his home country he sang concerts together with Camilly Nylund, Marita Viitasalo and under the baton of Sakari Oramo, as well as Don Fernando in a concert performance of Fidelio with the Finnish Radio Symphony Orchestra in Helsinki.

The season 2019/20 includes engagements, such as, Papageno/Die Zauberflöte, Kuligin/Katja Kabanova, Bass/King Arthur under the baton of René Jacobs, Salome, Khovanshchina, as well as Lucifero in the new production of Scarlatti’s oratorio Il primo Omicidio at the Staatsoper Unter den Linden Berlin, as well as La traviataon the occasion of the Savonlinna Opera Festival.
Furthermore, Arttu Kataja will sing Fauré’s Requiem with the Hamburger Symphoniker, Haydn’s The Creation with the NDR Radiophilharmonie Hannover and under Risto Joost, as well as  Shostakovich’s Symphony No 14 in Jena.

Arttu Kataja’s recordings include »St. Matthew Passion« (Jacobs/Harmonia Mundi 2013), »Tristan und Isolde« (RSB, Janowski, Pentatone 2012), »Orlando Paladino« (Jacobs/Petersen/Randle, EuroArts 2010), »Manon« (Barenboim/Netrebko/Villazon, Deutsche Grammophon 2007), Fredrik Pacius’ »Die Loreley« (Sinfonia Lahti, Osmo Vänskä), Aulis Sallinen’s »Kuningas lähtee Ranskaan« (The King Goes Forth to France), Armas Launis’ »Aslak Hetta« (Finnish Radio Symphonic Orchestra, Sakari Oramo).

Artist Website

www.arttukataja.com 

Management

Worldwide exclusive

Artist Manager
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Aho, Kalevi Pergamon
Bach, C.P.E. Magnificat
Bach, J.S. Cantatas
  Cantates profanes
  Magnificat
  St. John Passion
  St. Matthew Passion
Beethoven Symphony no. 9
Brahms Ein deutsches Requiem
Händel Messiah
Shostakovich Sinfonia n. 14
Stravinsky Oedipus Rex
 

Repertoire Opera

Beethoven Fidelio Don Fernando
Bernstein Candide Maximilian
Bizet Carmen Dancairo
    Morales
Britten Billy Budd Mr. Flint
  Curlew River Traveller
Busoni Dr. Faust Asmodus, Student aus Wittenberg
Donizetti Don Pasquale Malatesta
  L’elisir d’amore Belcore
  Maria Stuarda Cecil
Giordano Andrea Chénier Mathieu
Haydn L’Isola disabitata Enrico
  Orlando Paladino Licone/Caronte
Janacek From the House of the Dead Priest
Launis Aslak Hetta Lykselius
Martin Le Vin Herbé Bariton 4
Massenet Manon Bretigny
Monteverdi L’Incoronazione di Poppea Seneca
Mozart Così fan tutte Guglielmo
  Der Schauspieldirektor Buff
  Die Zauberflöte 2nd Priester
    Papageno
    Sprecher
  Don Giovanni Leporello
    Masetto
  Le nozze di Figaro Figaro
    Il Conte Almaviva
Pacius Die Loreley Leupold
Puccini La Bohème Schaunard
  Madama Butterfly Il Commissario Imperiale
    Sharpless
    Yamadori
  Tosca Angelotti
Rautavaara Aleksis Kivi Olivi
Rossini Il barbiere di Siviglia Graf Almaviva
  Il viaggio a Reims Don Alvaro
  L’Italiana in Algeri Taddeo
Salieri Falstaff Mr. Slender
Strauss, R. Arabella Graf Dominik
  Ariadne auf Naxos Lakai
  Salome 1st Soldier
Stravinsky The Rake's Progress Tom Rakewell
Tchaikovsky Eugene Onegin Saretzki
Verdi La traviata Barone Douphol
    Marchese d’Obigny
  Rigoletto Marullo
  Un ballo in maschera Silvano
Wagner Die Meistersinger v. Nürnberg Konrad Nachtigall
  Lohengrin Heerrufer des Königs
  Tristan und Isolde Melot
    Steuermann
Weber Freischütz Ottokar
  Oberon Scherasmin
Weill Aufstieg und Fall der Stadt Mahagonny Sparbüchsen-Bill

News

With René Jacobs at Berlin's Barocktage Festival
On the Occasion of this year’s Barocktage Festival at Staatsoper Unter den Linden Berlin, Arttu Kataja performs in two rarely played works with René Jacobs at the conductor’s stand. First, he sang the Bass in Purcell’s King Arthur staged by Sven-Eric Bechtolf and Julian Crouch, followed by Voce di Lucifero in Romeo Castellucci’s production of Scarlatti’s Il primo Omicidio together with the B’Rock Orchestra.
Remaining performance dates: November 15 and 17

Press

 

Katja Kabanowa / Staatsoper Berlin / 18.03.17 / konzertkritikopernkritikberlin.wordpress.com


"so menschlich in Stimme und Gestik" 

Don Giovanni / Savonlinna Opernfestival / 18.07.16 / der-neue-merker.eu


"perfekt durchgebildeten, weich timbrierten Bassbariton" 
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