BiographyAmerican tenor Robert Watson, a native of Kansas City, is an artist at Deutsche Oper Berlin. He made his professional debut as a Noble in Wagner’s Lohengrin with San Francisco Opera. The following season, Watson returned to SFO to create the role of Henry Cox in the world premiere of Picker’s Dolores Claiborne.
Watson has been a two-time Filene Young Artist at Wolf Trap Opera. He performed a multitude of roles including: Lieutenant B.F. Pinkerton in Madama Butterfly with the National Symphony Orchestra; Begearss in Corigliano’s The Ghosts of Versailles; and the titular character in Milhaud’s Le pauvre matelot. He is an alumnus of the Merola Opera Program at San Francisco Opera, the Opera Santa Barbara Studio, the Palm Beach Opera Benenson Young Artist Program, and the Dolora Zajick Institute for Young Dramatic Voices. He has performed as Nika Magadoff in Menotti’s The Consul with Opera Santa Barbara, and The Male Chorus in The Rape of Lucretia with Merola Opera. At Palm Beach Opera, Watson created the role of Nissen in Moore’s Enemies, a Love Story.
Watson has appeared in concert as the tenor soloist in Beethoven’s Symphony No. 9 with the Philadelphia Orchestra and the Kansas City Symphony, and in Verdi's Requiem with the Florence Masterwork's Choral Society. He has performed in recital at The Phillips Collection in Washington, DC. He attended the San Francisco Conservatory of Music and is a graduate of Oklahoma City University Bass School of Music.
ManagementGermany, Austria and German Switzerland
Mobil: +49-172-8 51 55 14
Natascha van Randenborgh
Mobil: +49-173-7 76 88 20
|Beethoven||Symphony no 9|
|Britten||The Rape of Lucretia||Male Chorus|
|Corigliano||Ghosts of Versailles||Begearss|
|Mussorgsky||Boris Godunov||False Dimitry|
|Strauss, R.||Ariadne auf Naxos||Bacchus|
|Der Rosenkavalier||Ital. Singer|
|Wagner||Der fliegende Holländer||Erik|
Important role debuts at the Deutsche Oper BerlinIn his second season as a member of the ensemble at the Deutsche Oper Berlin, once again, several important debuts in big productions await Robert Watson.
On September 08th he makes his debut as Erik/The Flying Dutchman alongside Martina Welschenbach as Senta in the production by Christian Spuck. (Further performance on September 22nd).
Subsequently, on October 29th and November 1st, he will be on stage as Ismaele/Nabucco under the baton of the Verdi expert, Roberto Rizzi Brignoli.
Lastly, another role debut awaits Robert Watson on February 08th. In Boleslaw Barlog‘s staging of Tosca (1969) he will be embodying Mario Cavaradossi, whose opponent, Scarpia, Samuel Youn will be singing.