BiographyThe soprano, Martina Welschenbach, was born in Stuttgart, Germany. She studied music at the Stuttgart Conservatory, at the Guildhall School of Music, and at the Royal College of Music in London.
Whilst still studying, she gave guest performances in minor roles at Staatstheater Stuttgart and at the National Theater in Zagreb. She has won grants from the Konstantin and Kid Lambert foundation and from the German Academic Exchange Service (DAAD).
In 2005, she joined the International Opera Studio at the opera house in Zürich. Within a few weeks, she was engaged as a member of the ensemble at the opera house. By the season of 2008/09, Welschenbach changed to the ensemble of the Deutsche Oper Berlin, where she has performed in roles such as Musetta/La Bohème, Gretel/Hansel and Gretel, Oscar/Un ballo in maschera, Ännchen/Der Freischütz, and Echo/Ariadne auf Naxos, as well as Clorinda/La Cenerentola, Susanna/Le nozze di Figaro, Zerlina/Don Giovanni, Micaëla/Carmen, Pamina/Die Zauberflöte, Woglinde/Das Rheingold and Götterdämmerung, Karolka/Jenufa, Solveig/Peer Gynt, Liu/Turandot, and Füchslein Schlaukopf/Schlaues Füchslein.
Throughout her career, Martina Welschenbach has worked with such renowned stage directors as Claus Michael Gruber, Jens-Daniel Herzog, Martin Kuschej, Carlo Lievi, Christof Loy, Giancarlo del Monaco, and David Pountney and conductors such as Christoph Eschenbach, Vladimir Fedosejev , Nikolaus Harnoncourt, Cornelius Meister, Ingo Metzmacher, Carlo Rizzi, Donald Runnicles, Nello Santi, Peter Schneider, Franz Welser-Möst, Jonathan Nott, and Sir Simon Rattle.
In the season 2012/13, she made her debut as Freia in Wagner’s Rheingold and Eva in Meistersinger, successfully breaking ground in German repertoire.
Guest engagements and concerts led her to Vienna, Paris, Lucerne, Stuttgart, Düsseldorf, Eutin, Leipzig, and Gera. Highlights include her acclaimed debut at the Opéra National de Paris as Regina in Mathis der Maler under Christoph Eschenbach, the role of Thekla/Wallenstein with the ORF under Cornelius Meister at the Vienna Konzerthaus, her role debut as Fiordilig/Cosi fan tutte in a concert version under Marcus Bosch, the role debut of Tatjana/Eugene Onegin in several concertante performances with the Norddeutsche Philharmonie, as well as her debut with the Berlin Philharmonic Orchestra with Claude Debussys’ La Damoiselle élue under the baton of Donald Runnicles.
From season 2015/16 on, Martina Welschenbach works freelance, but remains an acclaimed guest singer at Deutsche Oper Berlin. During the past season, her roles included Mimì/La Bohème, Europa/Die Liebe der Danae and Irene in Wagner’s Rienzi. Another important role debut was the title role in the new production of Lulu at Wuppertaler Bühnen in Germany.
In the current season, she will be performing at Deutsche Oper Berlin in the roles of Fiordiligi in Cosi fan tutte and as Gretel/Hansel and Gretel, among others.
Natascha van Randenborgh
Mobil: +49-173-7 76 88 20
|Bach, J.S.||Jauchzet Gott in allen Landen|
|Britten||Ceremony of Carols|
|Grieg||Peer Gynt / Solveig|
|Mahler||Symphony no. 4|
|Vespere solennes de Confessore|
|Suter||Le Laudi oli.25|
|Hindemith||Mathis der Maler||Regina|
|Humperdinck||Hansel and Gretel||Gretel|
|The Cunning Little Vixen||Vixen|
|Mozart||Così fan tutte||Fiordiligi|
|Die Zauberflöte||1st Lady|
|Don Giovanni||Donna Anna|
|La finta giardiniera||Ramiro|
|Le nozze di Figaro||Contessa|
|Strauss, R.||Ariadne auf Naxos||Echo|
|Die Liebe der Danae||Europa|
|Tchaikovski||Eugene Onegin (Concert)||Tatjana|
|Rigoletto||La contessa di Ceprano|
|Un ballo in maschera||Oscar|
|Die Meistersinger v. Nürnberg||Eva|
|Zandonai||Francesca da Rimini||Samaritana|