Biography

Benedikt Kristjánsson was born in Húsavík, Iceland. He received his first vocal training from his mother, Margrét Bóasdóttir, at the Reykjavik Academy for Singing when he was 16 and was a member and regular soloist in renowned youth choir »Hamrahlíðarkórinn« led by Thorgerdur Ingolfsdottir. 

Kristjánsson studied with Professor Scot Weir at the Hochschule für Musik Hanns Eisler in Berlin and participated in masterclasses with Christa Ludwig, Peter Schreier, Elly Ameling, Robert Holl, Thomas Quasthoff, Andreas Schmidt and Helmut Deutsch. In 2011 he won 1st Prize as well as the Audience Prize of the International Bach Vocal Competition in Greifswald, 2012 followed again the Audience Award at the International Bach Competition in Leipzig.

Soloist engagements led him to Munich, Oslo, Versailles, Zurich, Amsterdam, Antwerpen, and Jerusalem, where he performed the tenor parts especially in Bach’s b minor mass, Christmas Oratorio, St. John Passion and the Matthew Passion, as well as in Mozart's Requiem and Handel's Messiah.

He regulary works with ensembles and conductors like the Holland Baroque Society under Reinbert de Leeuw, the Collegium 1704 under Vaclav Luks, the Dresdner Philharmoniker, the Hofkapelle München under Reinhard Goebel, and the Stuttgart Bach Academy under Hans- Christoph Rademann.

In December 2012, Kristjánsson made his debut at Staatsoper Berlin in the title role of Wolfgang Mitterer's opera "Das tapfere Schneiderlein" and later performed the main role in Leos Janacek's "Diary of One Who Disappeared". In October 2014, he debuted at Theater Kiel as Morphé in Lully's "Atys". 

Future engagements  include the role of Acis in Acis and Galathea at the Handel Festival in Halle with the Collegium Marinarum under Jana Semeradova. Furthermore, Kristjánsson will be joining the Gaechinger Cantorey and Hans-Christoph Rademann on a US-tour with J.S. Bach's St. John Passion.

Artist Website

www.kristjansson-tenor.com 

Management



Artist Manager
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Bach, C.P.E. Auferstehung und Himmelfahrt
  Magnificat
Bach, J.S. Himmelfahrtsoratorium
  h-moll-Messe
  Ich Armer Mensch (Tenor-Solo Kantate)
  Johannes-Passion (Evangelist & Arien)
  Kantaten
  Lutherische Messen
  Matthäus-Passion (Evangelist & Arien)
  Osteroratorium
  Weihnachtsoratorium (Evangelist & Arien)
Beethoven 9. SInfonie
  C-Dur Messe
Britten Serenade for Tenor, Horn & Strings
  Saint Nicholas
Fux Plaudate Sonat Tuba
Haydn Die Jahreszeiten
  Die Schöpfung
  Stabat mater
Händel Jephtha
  Messiah
  Ode to Queen Anne
  Saul
  Solomon
Hoffmann, E.T.A. Miserere
Martin, Frank in terra pax
Mendelssohn, F. Elias
Mozart Krönungsmesse
  Requiem
Orff Carmina Burana
Renhardt, Michael Requiem
Schubert As-Dur Messe
  Es-Dur Messe
Schütz, Heinrich Johannes-Passion
  Kleine Geistliche Konzerte
  Matthäus-Passion
Telemann Der Tod Jesu
  Lukas-Passion
 

Repertoire Opera

Berlioz Les Troyens Iopas
Lully Atys Morphée
    Sommeil
    Zephyr
Monteverdi L'incoronazione di Poppea Lucano
    Soldat
Mozart Bastien & Bastienne Bastien
  Die Entführung aus dem Serail Belmonte
  Don Giovanni Don Ottavio
Mitterer Das tapfere Schneiderlein Das tapfere Schneiderlein
Offenbach Medames de la Halle Raflafla
Salvatore Sciarrino Lohengrin 1. Tenor
Schubert Die Verschworenen Udolin
Vecchi L'Amfiparnaso 1. Tenor

News

Mission : Bach
The following months are marked by the collaboration with the Internationale Bach Akademie Stuttgart and Hans-Christoph Rademann. On the 4th  and 5th of March, Benedikt Kristjánsson will be part of the project BACHBEWEGT! with the St. Matthew Passion in Ludwigsburg. Afterwards the young tenor will go on tour through the US with the Internationale Bach Akademie Stuttgart. They will enthuse the audiences with two great works by the Baroque master, the B minor Mass and the St. John Passion. Among others they will perform at the Walt Disney Concert Hall in Los Angeles on April 18th.

Press

 

Das tapfere Schneiderlein / Werkstatt der Staatsoper Berlin / 06.03.2015 / bachtrack.com


"jugendlich frisch und konstruktiv" 
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