Biography

Internationally renowned, Alejandro Marco-Buhrmester has established himself as one of the most distinguished Heldenbaritones of his generation. Following his debut at the Bayreuther Festspiele as Konrad Nachtigall/Die Meistersinger in 2001, he was regularly re-invited to perform in roles such as Fritz Kothner/Die Meistersinger and Amfortas/Parsifal under P. Boulez. In the summer of 2006, he was praised for his debut as Gunter/Götterdämmerung in the new production of Ring des Nibelungen conducted by C. Thielemann.
 
In addition to his engagements as a Wagner Baritone,he dedicates a good amount of his time to the Italian and French repertoire as well. In recent seasons, he has performed Germont/La Traviata, Barbiere/Barbiere di Siviglia, Conte di Luna/Il Trovatore, as well as Posa/Don Carlo and Nabucco/Nabucco. Marco-Buhrmester is also established in the contemporary repertoire and has sung the title role in the world premiere of Reinhard Febel’s Sekunden und Jahre des Casper Hauser at the Dortmund Theatre as well as the title role in Jakob Lenz by Wolfgang Rhim at the Internationale Musikfesttage in Lucerne.
Further engagements led him to all opera houses of Berlin, as well as the theatres in Madrid, Barcelona, Genoa, Riga, Bonn, Essen, Dortmund, Mannheim, Saarbrücken, Wiesbaden, and the
Canadian Opera Company, Toronto, where he performed as Miller/Luisa Miller and as Germont/La Traviata in 2007.
 
He has worked with renowned conductors like Daniel Barenboim, Pierre Boulez, Paolo Carignani, Valery Gergiev, Eliahu Inbal, Fabio Luisi, Esa-Pekka Salonen, Christian Thielemann, and Simone Young.
 
In addition to his flourishing operatic career, Marco-Buhrmester is also in great demand as a concert singer. He sang Bach’s oratorios as well as Zemlinsky’s Lyrische Sinfonie, Beethoven’s 9th, and Mahler’s 8th Symphony. He was invited to the festivals in Bergen and Lucerne and went on tour with Mendelssohn’s Elijah alongside the Windsbacher Knabenchor, the SWR Sinfonieorchester, and Deutsches-Sinfonie Orchester Berlin and was celebrated in New Years concerts under Markus Poschner.
Most recently, he sang Haydn’s Die Schöpfung with the Accademia Nazionale di Santa Cecilia in Pisa and Christus am Ölberge with the Bamberg Symphonic.
 
Recent opera engagements included roles at the Opéra de Paris and the Deutsche Oper Berlin, at the Ruhrtriennale as Kurwenal/Tristan und Isolde, as Gunter/Götterdämmerung in Tokyo, Cologne, at the Festival in Bayreuth under Kirill Petrenko as well as at the Bayerische Staatsoper, as Orest/Elektra at the opera in Rome, as Germont/La Traviata in Wiesbaden, and as Rigoletto at the Komische Oper Berlin. Further, he debuted as Klingsor/Parsifal at the Opéra de Lyon, directly followed by the role of Amfortas of the same opera at De Nederlandse Opera in Amsterdam, where he also sang Gunter in Götterdämmerung as part of the Ring cycle under the baton of Hartmut Haenchen, directed by Pierre Audi.

Future projects include the title role in Rigoletto in Braunschweig, the role of Kurwenal/Tristan und Isolde at the Opéra de Lyon as well as a Japan tour with the Semper Opera Dresden as Donner/Rheingold.

Management

General Management

Artist Manager
 
 
 
 
Boris Orlob
Managing Director
boris@orlob.net 
Mobil: +49-172-8 51 55 14
 
 
 
 
Natascha van Randenborgh
Associate Director
natascha@orlob.net 
Mobil: +49-173-7 76 88 20

Repertoire

Repertoire Concert

Bach, J.S. Christmas Oratorio
  Passions
Beethoven Christus am Ölberge
  Symphony no. 9
Brahms Ein deutsches Requiem
Dvorak Requiem
  Stabat Mater
Haydn The Creation
Liszt Sonnenhymnus
Mahler Orchesterlieder
  Symphony no. 8
Mendelssohn Die erste Walpurgisnacht
  Elijah
Mozart Requiem
Zemlinsky Lyrische Sinfonie
 

Repertoire Opera

Bizet Les pêcheurs de perles Zurga
Debussy Pelléas et Mélisande Golaud
    Pelleas
Febel Sekunden und Jahre des Caspar Hauser Caspar
Grünauer Die Mutter Pawel
Humperdinck Hansel and Gretel Peter
Ibert Angélique Charlot
Janácek The Cunning Little Vixen Forester
Klebe Die Fastnachtsbeichte Clemens Bäumler
Menotti Telefon Ben
Messiaen Saint François d'Assise Saint François
Mozart Così fan tutte Guglielmo
  Don Giovanni Don Giovanni
  Le nozze di Figaro Conte Almaviva
Offenbach Les contes d'Hoffmann Villains
Palomar La Cabeza del Bautista El Jándalo
Prokofiev The Love for Three Oranges Leander
Puccini La Bohème Marcello
  Madama Butterfly Sharpless
Ravel L'enfant et les sortilèges Le Chat
    L'Horloge
Rihm Jakob Lenz Jakob Lenz
Rimsky-Korsakov The Tale of Tsar Saltan 3rd shipman
Rossini Il barbiere di Siviglia Figaro
  La Cenerentola Dandini
Schönberg Moses und Aron Mann
Strauss, J. Die Fledermaus Doktor Falke
Strauss, R. Ariadne auf Naxos Harlekin
  Capriccio The Count
  Die Liebe der Danae Jupiter
  Elektra Orest
Stravinsky The Nightingale Emperor
Tchaikovsky Eugene Onegin Eugene Onegin
  The Queen of Spades Prince Yeletsky
Ullmann Der Kaiser von Atlantis Kaiser Overall
Verdi Don Carlo Posa
  I vespri siciliani Guy de Montfort
  La forza del destino Don Carlo di Vagas
  La traviata Germont
  Luisa Miller Miller
  Rigoletto Marullo
    Rigoletto
Wagner Das Rheingold Donner
  Die Meistersinger v. Nürnberg Fritz Kothner
  Götterdämmerung Gunther
  Parsifal Amfortas
    Klingsor
  Tannhäuser Wolfram von Eschenbach
  Tristan und Isolde Kurwenal
    Melot
Weber Abu Hassan Abu Hassan

News

Worried about Tristan and Gilda
This year’s Festival mémoires at the Opéra de Lyon dedicates itself to three milestones in opera production and lets them come to life again. One of them is the Heiner Müller production Tristan und Isolde from 1983, in which Alejandro Marco-Buhrmester will take on the role of Kurwenal for a total of six performances (March 18th/21st/25th/28th + April 2nd/5th). Conductor is Hartmut Haenchen.
In addition, the opera audience of Wuppertal may start looking forward to June, where Marco-Buhrmester will be on stage in the title role of Verdi’s Rigoletto. Performances: June 9th/22nd/24th.

Press

 

Götterdämmerung / Bayerische Staatsoper München / 20.03.15 / bachtrack.com


"klang und sah absolut selbstsicher aus  " 

La traviata / Staatstheater Wiesbaden / 09.03.15 / nzz.ch


"das helle Timbre dieses vorzüglich geführten Baritons" 

Die Liebe der Danae / Oper Frankfurt / 20.06.14 / markronan.com


"Jupiter was strongly sung" 
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